File:Pella Mosaics I – The Lion Hunt (49988918902).jpg
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Summary
[edit]DescriptionPella Mosaics I – The Lion Hunt (49988918902).jpg |
Beautiful pebble mosaic with lion hunt from an impressively large house at Pella, the Macedonian capital and Alexander’s birthplace. Two hunters frame the lion. Their foreshortened bodies are modeled in stylized chiaroscuro in a rich repertoire of earth tones. Nearly identical in pose, the hunters are essentially nude, their short cloaks highlighting rather than hiding their nudity. They are sometimes identified as Alexander and his companion Craterus, known to have come to Alexander’s assistance at a difficult juncture of a real-life hunt. The hunter on the left—often assumed to be Alexander—wears a hat and grasps a broken lance near the tip with his right hand. He holds his sheathed sword with the other. Bare-headed, the other hunter has just pulled his sword out of its scabbard and gathers force to strike the lion. The lion turns its head emphatically toward one hunter in an aggressive grin highlighted by its protruding tongue, while its body is directed toward the other hunter. When compared to the leopard’s predicament on the plate, the lion’s divided attention in the mosaic is perhaps less surprising, as the staging aims to underscore that the animal must guard itself from two sides and two opponents. In lower position two fighting centaurs Source: Ada Cohen, “Turning Heads: Alexander and the Animals” Pebble mosaic Ca. 325 – 300 BC From the “House of Dionysus”, Pella Pella, Archaeological Museum |
Date | |
Source | Pella Mosaics I – The Lion Hunt |
Author | Egisto Sani from Italy |
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This image was originally posted to Flickr by Egisto Sani at https://flickr.com/photos/69716881@N02/49988918902. It was reviewed on 9 May 2023 by FlickreviewR 2 and was confirmed to be licensed under the terms of the cc-by-sa-2.0. |
9 May 2023
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current | 17:15, 9 May 2023 | 5,096 × 4,167 (10.74 MB) | Voism (talk | contribs) | Transferred from Flickr via #flickr2commons |
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Camera manufacturer | SONY |
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Camera model | ILCE-7R |
Exposure time | 1/60 sec (0.016666666666667) |
F-number | f/10 |
ISO speed rating | 3,200 |
Date and time of data generation | 16:10, 30 August 2017 |
Lens focal length | 53 mm |
Label | Approvato |
Orientation | Normal |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Software used | Adobe Photoshop CC 2019 (Macintosh) |
File change date and time | 19:18, 9 June 2020 |
Exposure Program | Manual |
Exif version | 2.31 |
Date and time of digitizing | 16:10, 30 August 2017 |
APEX shutter speed | 5.906891 |
APEX aperture | 6.643856 |
APEX brightness | 1.92734375 |
APEX exposure bias | 0 |
Maximum land aperture | 4 APEX (f/4) |
Metering mode | Center weighted average |
Light source | Cloudy weather |
Flash | Flash did not fire, compulsory flash suppression |
Color space | Uncalibrated |
Focal plane X resolution | 2,100.8156433105 |
Focal plane Y resolution | 2,100.8156433105 |
Focal plane resolution unit | 3 |
File source | Digital still camera |
Scene type | A directly photographed image |
Custom image processing | Normal process |
Exposure mode | Manual exposure |
White balance | Manual white balance |
Digital zoom ratio | 1 |
Focal length in 35 mm film | 53 mm |
Scene capture type | Standard |
Contrast | Normal |
Saturation | Normal |
Sharpness | Normal |
Lens used | FE 24-70mm F4 ZA OSS |
Rating (out of 5) | 0 |
Date metadata was last modified | 21:18, 9 June 2020 |
Unique ID of original document | E5D8B62E00F10D1923DE2296EE8C44F3 |
IIM version | 4 |