File:Painterly relief (Vladimir Tatlin, 1913,14).jpg

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Deutsch: Wladimir Tatlin, Malerisches Relief, 1913/14, Holz, Papier, Stoff, Metall und Farbe, Verbleib unbekannt, wahrscheinlich nicht erhalten, Fotografie, um 1915, Staatliches Architekturmuseum Schtschussew, Moskau
English: Painterly relief (Vladimir Tatlin, 1913/14)
Date 1913/14 (artwork), ca. 1915 (photograph)
Source Matthew Drutt (ed.), Auf der Suche nach 0,10. Die letzte futuristische Ausstellung der Malerei, Basel 2015, p. 194
Author Vladimir Tatlin (artwork), Unknown authorUnknown author (photograph)

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Public domain
This work is in the public domain in Russia according to article 1281 of the Civil Code of the Russian Federation, articles 5 and 6 of Law No. 231-FZ of the Russian Federation of December 18, 2006 (the Implementation Act for Book IV of the Civil Code of the Russian Federation).

This usually means that one of the following conditions is fulfilled.

  1. The author of this work died:[1]
    • (a) before January 1, 1942 or
    • (b) between January 1, 1942 and January 1, 1946, did not work during the Great Patriotic War and did not participate in it.
  2. This work was originally published anonymously or under a pseudonym:
    • (a) before January 1, 1943 and the name of the author did not become known during 50 years after publication, counted from January 1 of the year following the year of publication, or
    • (b) between January 1, 1943 and January 1, 1946, and the name of the author did not become known during 70 years after publication, counted from January 1 of the year following the year of publication.
  3. This work is a film (a video fragment or a single shot from it):
    • (a) which was first shown before January 1, 1943[2] or
    • (b) which was created by legal entity between January 1, 1929 and January 1, 1946, provided that it was first shown in the stated period or was not shown until August 3, 1993.
  4. This work is an information report (including photo report), which was created by an employee of TASS, ROSTA, or KarelfinTAG as part of that person’s official duties between July 10, 1925[3] and January 1, 1946, provided that it was first released in the stated period or was not released until August 3, 1993.

This work is in the public domain in the United States, because it was in the public domain in its home country (Russia) on the URAA date (January 1, 1996), and it wasn't re-published for 30 days following initial publications in the U.S.

[1] If the author of this work was subjected to repression and rehabilitated posthumously, copyright term is counted from January 1 of the year following the year of rehabilitation.
If the work was first published after the death (posthumous rehabilitation) of the author, copyright term is counted from January 1 of the year following the year of publication, provided that the work was published within 50 years after the death of the author who died (and was not posthumously rehabilitated) before January 1, 1943, or within 70 years after the death (posthumous rehabilitation) of the author who died (rehabilitated posthumously) between January 1, 1943 years before January 1, 1946.
[2] Amateur films which were first shown on January 1, 1943 or later are subjects of points 1-2 of this template.

[3] ROSTA reports created before July 10, 1925 are subjects of points 1-2 of this template.

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Public domain

The author died in 1953, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 70 years or fewer.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.

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current22:51, 10 February 2024Thumbnail for version as of 22:51, 10 February 20242,477 × 4,126 (14.64 MB)Carl Ha (talk | contribs)Uploaded a work by Vladimir Tatlin (artwork), {{author|unknown}} (photograph) from Matthew Drutt (ed.), Auf der Suche nach 0,10. Die letzte futuristische Ausstellung der Malerei, Basel 2015, p. 194 with UploadWizard

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