File:Paint Dish, Papua New Guinea, Brücke Museum Berlin, 65022, view c.jpg
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Original file (8,270 × 6,196 pixels, file size: 21.67 MB, MIME type: image/jpeg)
Captions
Captions
Paint Dish, Lower Ramu River Area, Papua New Guinea, 19th-20th century, side view from the left
Summary
Object
| Artist |
English: once known creator
Deutsch: einst bekannte*r Urheber*in |
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| Description |
Deutsch: Farbschale
English: Paint Dish
Tok Pisin: Raunpela disk |
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| Date | from 19th century until 20th century | |||||||||||||||||||||||
| Medium | wood | |||||||||||||||||||||||
| Dimensions | height: 35.7 cm (14 in); width: 10.3 cm (4 in); depth: 3.5 cm (1.3 in) | |||||||||||||||||||||||
| Collection |
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| Accession number |
H 59 |
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| Place of creation | Ramu (Q2064454), Madang Province (Q326254) | |||||||||||||||||||||||
| Object history |
transferred to Karl und Emy Schmidt-Rottluff Stiftung (Q108731834) from Karl Schmidt-Rottluff (Q161143) |
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| Notes |
English: This kind of paint dish is very rare. With organic materials or roots of plants dyer are created for applying on to objects such as face masks, utensils, wooden bowls, etc. (Grace Vele)
Deutsch: Diese Art von Farbschale ist sehr selten. Mit organischen Materialien oder Pflanzenwurzeln werden Färbemittel hergestellt, die auf Gegenstände wie Masken und Holzschalen aufgetragen werden. (Grace Vele)
Tok Pisin: Ol bin paintim dipela kavin diwai lo olgeta hap blo en, kala ol usim ya i bin kam lo kain kain rot,sampela kam lo rut blo diwai, sampela kam lo lip blo diwai na ol gras lo bush. Dipela kain bowl o dish ya mipela bai inonap lo painim lo narapela hap. Ol plesman save usim sam paintin lo pes mask blo ol, samting blo kuk, samting blo kai kai na ol arapla samting tu. |
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Photograph
| Description |
English: Paint Dish, Lower Ramu River Area, Papua New Guinea, 19th-20th century, side view from the left  |
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| Date | ||||
| Source | BrückeMuseumBerlin | |||
| Author | Nick Ash, Berlin | |||
| Permission (Reusing this file) |
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| Other versions |
The estate of Karl Schmidt-Rottluff, owned by the Karl and Emy Schmidt-Rottluff Foundation at the Brücke Museum, contains his collection of around 100 sculptures and objects with colonial backgrounds. The Brücke artist himself never travelled outside Europe and, to the best of current knowledge, bought these objects in the art trade and from private owners from the 1910s onwards. The collection includes ritual and everyday objects, alongside souvenirs for the Western market. The way they were perceived underwent changes: they came to be seen as objects of art and decoration. Little is known of their origins, the circumstances of their acquisition, or the historical and current importance of the objects. Most of them originate from Germany’s former colonies, thus referring directly to German Expressionists’ entanglements in the often unlawful appropriation of material culture in colonially occupied lands. More
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File history
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| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 14:28, 2 November 2021 | | 8,270 × 6,196 (21.67 MB) | BrückeMuseumBerlin (talk | contribs) | Uploaded own work with UploadWizard |
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