File:Ornamen Kumudawati Pura Mangkunegara.jpg

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Kumudawati Ornamen of Pendhapa Ageng Pura Mangkunegaran.

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Bahasa Indonesia: Kumudawati asal kata dari Kumuda yang artinya Teratai Putih, dan Wati yang artinya Dunia / Jagat / Nur / Cahaya. Teratai dipercaya menjadi lambang kesucian, dan keberkaitan dengan awal keberadaan para dewa. Kelopak kumuda yang berjumlah delapan juga dikaitkan dengan dewa-dewa penguasa penjuru mata angin.

Kumudawati memiliki makna sebagai dunia para dewa, atau cara pendekatan diri melalui rahsa kepada Tuhan, ataupun cahaya Ketuhanan yang menyingkap dalam sebuah ornamen. Di dalam ornamen kumudawati terdapat ajaran bahwa dalam menjalani hidup manusia Jawa harus mendekatkan diri kepada Tuhan agar manusia selalu mendapatkan cahaya Tuhan dan selalu dalam keadaan suci.

Pembuatan ornamen kumudawati terinspirasi dari gambar kumudawatiwa dalam beber Pacitan yang berasal dari klika wiwitan (kertas gedhong atau kertas Ponorogo) pada tahun 1910. Ide membuat motif tersebut baru terwujud pada tahun 1937 atas inisiatif Mangkunegara VII.

Ornamen kumudawati, Mangkunegara VII menegaskan bahwa meskipun beliau mengenyam pendidikan barat dan hidup dalam kebudayaan Barat, namun selalu menjunjung tinggi budaya Jawa.
English: Kumudawati the origin of the word from Kumuda which means White Lotus, and Wati which means World / Jagat / Nur / Light. Lotus is believed to be a symbol of purity, and a connection with the beginning of the existence of the gods. The eight-petite kumuda petals are also associated with the gods in the direction of the compass.

Kumudawati has meaning as the world of the gods, or a way of approaching oneself through rahsa to God, or the light of God that reveals in an ornament. In the kumudawati ornament there is a teaching that in living the life of Javanese people must get closer to God so that humans always get God's light and always in a sacred state.

The making of kumudawati ornament was inspired by the picture of kumudawatiwa in beber Pacitan originating from klika wiwitan (gedhong paper or Ponorogo paper) in 1910. The idea of ​​making the motif was only realized in 1937 at the initiative of Mangkunegara VII.

Ornaments of Kumudawati, Mangkunegara VII, emphasize that although he has a Western education and lives in Western culture, he always upholds Javanese culture.
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Author Ibnurustamaji

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