File:Nuremberg and its art to the end of the 18th century. (1905) (14775151374).jpg

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Identifier: nurembergitsartt00repa (find matches)
Title: Nuremberg and its art to the end of the 18th century.
Year: 1905 (1900s)
Authors: Rée, Paul Johannes, b. 1858 Palmer, G. H. (George Henry), b. 1871, tr
Subjects: Art
Publisher: London : H. Grevel & Co. New York : C. Scribner's Sons (etc., etc.)
Contributing Library: Boston Public Library
Digitizing Sponsor: Boston Public Library

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Fig. 87. The Volkamer window in the choir of St. Lawrences.Photograph by MuUer. Nuremberg. I30 TILED STOVES. xVugustin Hirschvogel was an important master and his versatility was as-tonishing. In enamel painting no one of his time was superior to him. Inspiredby a wish to naturalise Venetian glass-making at Nuremberg, he travelled toVenice, but he did not succeed in finding out the secrets of the craft. Afterhis return he devoted himself to artistic pottery. One of his ceramic master-
Text Appearing After Image:
Fig. Augustin Hirschvogel: Tiled stove in the Castle.Photograph by F. Schmidt. pieces is a green-glazed tiled stove (fig. 88), in the Castle, with ornaments inthe Italian taste, especially clear and pure in modelling. The splendid collectionof stoves there, and those in the Germanic Museum, provide an excellentopportunity for a survey of the stove-pottery, that was brought to great per-fection at Nuremberg, from the i6^ to the i8^ century. In contrast to Swiss stoves, which show a preference for painting, theNurembergers favoured plastic ornament, preferably green-glazed, but sometimesunited, to produce the richest effects, with coloured enamels and gilding. AUGUSTIN HIRSCHVOGEL. 131 Augustin Hirschvogels connection with the so-called Hirschvogel mugshas not been satisfactorily settled, they are not only completely different fromhis general style, but also from the cups that he etched as patterns for pottersand goldsmiths. In those designs, sometimes very fantastic in character, welea

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