File:Napoleon massacring three thousand eight hundred men at Jaffa (BM 1866,0407.983).jpg

From Wikimedia Commons, the free media repository
Jump to navigation Jump to search

Original file (1,089 × 1,600 pixels, file size: 354 KB, MIME type: image/jpeg)

Captions

Captions

Add a one-line explanation of what this file represents

Summary

[edit]
Napoleon massacring three thousand eight hundred men at Jaffa   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Artist

After: Sir Robert Ker Porter

Published by: John Hatchard
Published by: John Ginger
Published by: James Asperne
Title
Napoleon massacring three thousand eight hundred men at Jaffa
Description
English: A companion pl. to BMSat 10063 with the same signature and imprint. Turkish prisoners (l.), their hands tied behind their backs, are being shot and bayoneted by massed French troops, directed by an officer intended for Napoleon. 12 August 1803
Hand-coloured etching
Depicted people Associated with: Napoléon I, Emperor of the French
Date 1803
date QS:P571,+1803-00-00T00:00:00Z/9
Medium paper
Dimensions
Height: 446 millimetres
Width: 284 millimetres
institution QS:P195,Q6373
Current location
Prints and Drawings
Accession number
1866,0407.983
Notes

(Description and comment from M.Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', VIII, 1947)

One of a set of four, see BMSat 9992, &c. On 4 Mar. 1799 Jaffa was carried by assault; part of the garrison surrendered to Bonaparte's aides-de-camp on condition that their lives were spared. Bonaparte refused to ratify this and ordered the prisoners to be taken to the beach and killed. Some military critics have justified this, though contemporaries called it a 'froide barbarie'. There is considerable evidence that the prisoners of El Arish who had capitulated on being promised that they would be allowed to withdraw unmolested were mixed with the Jaffa garrison and massacred. Fournier, 'Napoleon', 1911, 1. 165-7. The plate derives from the highly coloured description by Sir Robert Wilson, in his 'History of the British Expedition to Egypt', pp. 73-6, see BMSat 9998. This was the subject of a protest by Talleyrand to Whitworth (O. Browning, 'England and France in 1803', p. 180), and was called by the French Ambassador in an official note, 'a work . . . filled with the most atrocious and disgusting calumnies against the French army and its general' (Parl. Hist.' xxxvi. 1319). The offending passage, and a letter to the Press by Wilson justifying his allegations were printed in the 'Anti-Gallican', 1804, pp. 9-14. The allegations, including another on plague-stricken French soldiers, see BMSat 10063, were widely circulated in invasion broadsides and prints, and are the most persistent 'atrocities' in English Napoleonic satire (see Index, s.v. Jaffa). Wilson became known as 'Jaffa Wilson'. Cf. 'Buonaparte's Confession of the Massacre of Jaffa', Broadside No. 7 in the 'Warning Drum' (see BMSat 10038). The four plates were recommended in the 'Loyalist', 15 Oct. 1803.
Source/Photographer https://www.britishmuseum.org/collection/object/P_1866-0407-983
Permission
(Reusing this file)
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0

Licensing

[edit]
This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 70 years or fewer.


You must also include a United States public domain tag to indicate why this work is in the public domain in the United States.
This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.

This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag.


Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag.

File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeThumbnailDimensionsUserComment
current02:42, 12 May 2020Thumbnail for version as of 02:42, 12 May 20201,089 × 1,600 (354 KB)Copyfraud (talk | contribs)British Museum public domain uploads (Copyfraud/BM) Prints about plague in the British Museum 1803 #163/190

Metadata