File:NDL-DC 1313244-Utagawa Kuniyoshi-東海道五十三対 藤枝-crd.jpg

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Utagawa Kuniyoshi: Q106535022  wikidata:Q106535022 reasonator:Q106535022
Artist
Utagawa Kuniyoshi  (1798–1861)  wikidata:Q317736
 
Utagawa Kuniyoshi
Alternative names
Ichiyusai
Description Japanese ukiyo-e artist, painter and printmaker
Date of birth/death 1 January 1798 Edit this at Wikidata 14 April 1861 Edit this at Wikidata
Location of birth/death Nihonbashi Edit this at Wikidata Edo, today Tokyo
Work period 1814 Edit this at Wikidata–
Work location
Edo, today Tokyo
Authority file
artist QS:P170,Q317736
image of artwork listed in title parameter on this page
Title
東海道五十三対_藤枝
Series title Fifty-three pairings along the Tokaido Road Edit this at Wikidata
Publisher
Ibasen Edit this at Wikidata
Object type woodcut print Edit this at Wikidata
Genre ukiyo-e Edit this at Wikidata
Description
日本語: 朝櫻樓國芳画「東海道五十三對」より『藤枝』、伊場屋仙三郎版、大判錦絵
“熊谷（くまがへ）次郎直実仏門に入（いり）て上洛し 黒谷の法然上人の弟子となり 蓮生法師と改め故郷へかへる道 藤枝の駅に宿（しゅく）せし家にて鳥目壹〆文（てふもくいつくわんもん）を上洛まで借用して其質物（しちもつ）に十念を授け 故郷へ帰り 其後（そのヽち） 又上洛の砌（みぎり）壹〆文を返し 預け置し十念を 今又我に給ハれといふに いと安き事 と十念を返す 不思議なるハ 初め十念を受し時 池に蓮華十茎（とくき）咲出たるが 今返す時念佛一遍に一莖づヽ消失たり 此奇特を感じ 責（せめ）て一ぺんハ我に残し給ハれと願へバ　念佛一遍を与へ上洛しける　夫（それ）より此家を寺となし　蓮生寺と号するなり“
画帳『錦絵』より。一の谷の戦いの後に出家した熊谷次郎直実が蓮生法師となった時の逸話から、藤枝で郷里へ帰る為に十念仏により路銀を借りた情景を描く。後に蓮生は返金の為に訪れたが、念仏を一遍返す度に池の蓮が一凛消えたという。その珍しさから蓮生の念仏一遍を残したものが蓮生寺の由来とされる。
English: from the picture album "Nishiki-e"
Date circa  Edit this at Wikidata
国立国会図書館
Current location
国立国会図書館デジタルコレクション
Accession number
本別9-28
Inscriptions
  • 「熊谷（くまがへ）次郎直実仏門に入（いり）て上洛し 黒谷の法然上人の弟子となり 蓮生法師と改め故郷へかへる道 藤枝の駅に宿（しゅく）せし家にて鳥目壹〆文（てふもくいつくわんもん）を上洛まで借用して其質物（しちもつ）に十念を授け 故郷へ帰り 其後（そのヽち） 又上洛の砌（みぎり）壹〆文を返し 預け置し十念を 今又我に給ハれといふに いと安き事 と十念を返す 不思議なるハ 初め十念を受し時 池に蓮華十茎（とくき）咲出たるが 今返す時念佛一遍に一莖づヽ消失たり 此奇特を感じ 責（せめ）て一ぺんハ我に残し給ハれと願へバ　念佛一遍を与へ上洛しける　夫（それ）より此家を寺となし　蓮生寺と号するなり Edit this at Wikidata」
Source/Photographer National Diet Library Digital Collections: Persistent ID 1313244
Permission
(Reusing this file)
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain in its source country for the following reason:
Public domain
According to Japanese Copyright Law (June 1, 2018 grant) the copyright on this work has expired and is as such public domain. According to articles 51, 52, 53 and 57 of the copyright laws of Japan, under the jurisdiction of the Government of Japan works enter the public domain 50 years after the death of the creator (there being multiple creators, the creator who dies last) or 50 years after publication for anonymous or pseudonymous authors or for works whose copyright holder is an organization.

Note: The enforcement of the revised Copyright Act on December 30, 2018 extended the copyright term of works whose copyright was valid on that day to 70 years. Do not use this template for works of the copyright holders who died after 1967.

Use {{PD-Japan-oldphoto}} for photos published before December 31, 1956, and {{PD-Japan-film}} for films produced prior to 1953. Public domain works must be out of copyright in both the United States and in the source country of the work in order to be hosted on the Commons. The file must have an additional copyright tag indicating the copyright status in the United States. See also Copyright rules by territory.

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It is also in the public domain in the United States for the following reason:
Public domain

The author died in 1861, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

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