File:Mvim dc co 0024 01-1030x833.jpg

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Description
Português: pt:Bandolim fabricado por Porfírio Martins e Cia (séc. XX) pertencente ao Museu Instrumental Delgado de Carvalho. Disponível no MVIM.
Date
Source Own work
Author Adriana Balleste
References
InfoField
  • Mandolin by Porfírio Martins, MIDC. Museu Virtual Instrumentos Musicais (MVIM).
    "Description",
    "​The instrument was built from a mix of a modern Neapolitan model with a modern Portuguese one and it has a flat bottom. The cover is made of European pine wood and the bottom and the sides are made of Brazilian rosewood. It has a metal strap and a wooden bridge. There are ornaments on the soundboard in the form of a butterfly and with floral motifs made of mother of pearl applied over tortoise shell. There are also mother of pearl ornaments around the sound hole. There are four sets of strings tuned in Gl2-D3-A3- and E4. The strings are picked with a plectrum. There are fissures on the back of the resonance box. ",
    "Learn more",
    "​The mandolin derives from the Italian mandola and the French mandore, equivalent instruments of the 16th century. These instruments were bigger with six to eight string orders, that is, six to eight pairs of strings, although there were smaller mandolas in Italy and in Germany, with four or five pairs of strings. Italians started to call the mandola a mandolino and the instrument became very popular between the 17th and 18th centuries. In the 19th century, the Monzino luthier family from Milan made various structural modifications in the mandolino, reinforcing the body and making it bigger. In the 19th century the Vinaccia family continued the changes started by the Monzinos, and built the modern mandolin, or Neapolitan mandolin, with four pairs of strings, deep body, decorated soundboard, tuned like the violin G2-D3-A3-E4, and strings picked by a plectrum. In the 20th century, the family of modern mandolins of straight bottom continued to be rather popular, used in jazz, bluegrass, and popular Irish music. In Brazil, the instrument is part of ensembles that play the choro, musical genre original from Rio de Janeiro at the beginning of the 19th century and still very popular.
    Text written in collaboration with Professor Paulo Sá of the Federal University of Rio de Janeiro (UFRJ). 
    "
    ,
    "General Data",
    "Classification: 321.321-6 Necked bowl lutes; sounded by plectrum ",
    "Item Data",
    "Code: mvim_dc_co_0024 ",
    "Date: 20th century ",
    "Place of Manufacture: Brazil ",
    "Manufacturer / Author: Porfírio Martins Cia. ",
    "Material: Brazilian rosewood, metal., mother of pearl, pine wood, turtle shell ",
    "Marks and Inscriptions: Original inscription: label inside the resonance box "A Guitarra of Prata"- "Fábrica de instrumentos de cordas Guitarras, Violões e Cavaquinhos"- "Especialidades Concertos" -"Preços módicos"- "Aviamos encomendas para Capital e Estados"- "Especialidades em Harmônicas cordas of 1º qualidade Importação direta"- "Porfírio Martins & Cia"- "Rua da Carioca, 33 Rio de Janeiro". ",
    "Origin: Not determined. ",
    "Location: MIDC /EM/UFRJ 321.3 I14 Shelf 11 ",
    "Bibliography ALMEIDA, 1994. / BASE MINERVA, 2014. / BERKLEY, 2009. / BETHENCOURT; BORDAS; CANO; CARVAJAL; SOUZA; DIAS; LUENGO; PALACIUS; PIQUER, ROCHA, RODRIGUEZ; RUBIALES; RUIZ, 2012. / BRANDÃO, 2013. / MIMO, 2014. / PAULO SÁ, 2014. / SADIE, 1994. / YOUTUBE, 2014. ",
    "Notas The supplier of the instrument was the store Guitarra de Prata. "

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current18:09, 6 November 2018Thumbnail for version as of 18:09, 6 November 20181,030 × 833 (63 KB)Adriana Balleste (talk | contribs)Cross-wiki upload from pt.wikipedia.org

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