File:Museu de Arte Contemporânea de Niterói (3214709099).jpg
Original file (3,264 × 2,448 pixels, file size: 3.71 MB, MIME type: image/jpeg)
Captions
Summary
[edit]DescriptionMuseu de Arte Contemporânea de Niterói (3214709099).jpg |
O Museu de Arte Contemporânea de Niterói localiza-se no Mirante da Boa Viagem, no bairro de Boa Viagem da cidade de Niterói, estado do Rio de Janeiro, no Brasil. Projetado pelo arquiteto Oscar Niemeyer, o MAC tornou-se um dos cartões-postais de Niterói. Edificado em 1996, destaca-se na paisagem pelo arrojo de seus traços contemporâneos, que o fazem assemelhar-se a um cálice ou a disco voador. Foram necessários cinco anos para erguer a estrutura de quatro pavimentos, inscrita numa praça de 2.500 m². Estudante no início da década de 1960, olhei para o trabalho de Niemeyer como um estímulo, analisando com cuidado os desenhos de cada novo projeto. Quarenta anos depois, ele ainda tem o poder de nos surpreender. O Museu de Niterói é um bom exemplo. Posicionado no promontório rochoso como uma planta exótica, ele despedaça o convencional justapondo arte com uma vista panorâmica do porto do Rio. É como se, em sua mente, ele tivesse esmagado nas rochas abaixo a convencional caixa da galeria, e nos desafiado a enxergar arte e natureza como duas coisas iguais. _________________________________________________________________ The Niterói Contemporary Art Museum (Museu de Arte Contemporânea de Niterói — MAC) is situated in the city of Niterói, Rio de Janeiro, Brazil, and is one of the city’s main landmarks. Designed by Oscar Niemeyer with the assistance of structural engineer Bruno Contarini, who had worked with Niemeyer on earlier projects, the MAC-Niterói is 16 meters high; its cupola has a diameter of 50 meters with three floors. The museum projects itself over Boa Viagem (“Bon Voyage,” “Good Journey”), the 817-square meter reflecting pool that surrounds the cylindrical base “like a flower,” in the words of Niemeyer. A wide access slope leads to a Hall of Expositions, which has a capacity for sixty people. Two doors lead to the viewing gallery, through which can be seen the Guanabara Bay, Rio de Janeiro, and Sugarloaf Mountain. The saucer-shaped modernist structure, which has been likened to a UFO, is set on a cliffside, at the bottom of which is a beach. In the film Oscar Niemeyer, an architect committed to his century (Marc Henri Wajnberg, 2000), Niemeyer is seen flying over Rio de Janeiro in a UFO, which then lands on the site, suggesting this as the origin of the museum. |
Date | |
Source | Museu de Arte Contemporânea de Niterói |
Author | Rodrigo Soldon from Rio de Janeiro, Brazil |
Camera location | 22° 56′ 59.67″ S, 43° 09′ 16.35″ W | View this and other nearby images on: OpenStreetMap | -22.949907; -43.154543 |
---|
Licensing
[edit]- You are free:
- to share – to copy, distribute and transmit the work
- to remix – to adapt the work
- Under the following conditions:
- attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
This image was originally posted to Flickr by Rodrigo_Soldon at https://flickr.com/photos/8865243@N02/3214709099. It was reviewed on 14 February 2017 by FlickreviewR and was confirmed to be licensed under the terms of the cc-by-2.0. |
14 February 2017
File history
Click on a date/time to view the file as it appeared at that time.
Date/Time | Thumbnail | Dimensions | User | Comment | |
---|---|---|---|---|---|
current | 03:44, 14 February 2017 | 3,264 × 2,448 (3.71 MB) | Sturm (talk | contribs) | Transferred from Flickr via Flickr2Commons |
You cannot overwrite this file.
File usage on Commons
There are no pages that use this file.
Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Camera manufacturer | SONY |
---|---|
Camera model | DSC-H9 |
Exposure time | 1/160 sec (0.00625) |
F-number | f/4 |
ISO speed rating | 100 |
Date and time of data generation | 13:31, 20 January 2009 |
Lens focal length | 5.2 mm |
Orientation | Normal |
Horizontal resolution | 72 dpi |
Vertical resolution | 72 dpi |
Software used | Adobe Photoshop CS2 Windows |
File change date and time | 23:34, 20 January 2009 |
Y and C positioning | Co-sited |
Exposure Program | Normal program |
Exif version | 2.21 |
Date and time of digitizing | 13:31, 20 January 2009 |
Meaning of each component |
|
Image compression mode | 3 |
APEX exposure bias | 0 |
Maximum land aperture | 2.875 APEX (f/2.71) |
Metering mode | Pattern |
Light source | Unknown |
Flash | Flash did not fire, compulsory flash suppression |
Supported Flashpix version | 1 |
Color space | sRGB |
File source | Digital still camera |
Scene type | A directly photographed image |
Custom image processing | Normal process |
Exposure mode | Auto exposure |
White balance | Auto white balance |
Scene capture type | Standard |
Contrast | Normal |
Saturation | Normal |
Sharpness | Normal |
Supported Flashpix version | 1 |
Image width | 3,264 px |
Image height | 2,448 px |
Date metadata was last modified | 21:34, 20 January 2009 |
IIM version | 2 |