File:Munkácsy Éjjeli csavargók 1873.jpg
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Captions
Summary
[edit]Mihály Munkácsy: Night Wanderers I. | |||||||||||||||||||||||||
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Artist |
artist QS:P170,Q551652 |
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Title |
Night Wanderers (I.) |
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Object type |
painting object_type QS:P31,Q3305213 |
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Date |
between 1872 and 1873 date QS:P571,+1872-00-00T00:00:00Z/8,P1319,+1872-00-00T00:00:00Z/9,P1326,+1873-00-00T00:00:00Z/9 |
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Medium |
oil on panel medium QS:P186,Q296955;P186,Q106857709,P518,Q861259 |
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Dimensions |
height: 160 cm (62.9 in); width: 220 cm (86.6 in) dimensions QS:P2048,160U174728 dimensions QS:P2049,220U174728 |
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Collection |
institution QS:P195,Q252071 |
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Accession number |
2018 |
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References | |||||||||||||||||||||||||
Source/Photographer | Hungarian National Gallery Info Pic | ||||||||||||||||||||||||
Other versions |
Versions of this painting:
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Licensing
[edit]Public domainPublic domainfalsefalse |
This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer. You must also include a United States public domain tag to indicate why this work is in the public domain in the United States. | |
This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights. |
https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse
File history
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current | 12:37, 7 March 2013 | 926 × 656 (113 KB) | Tambo (talk | contribs) | color | |
05:58, 23 December 2011 | 500 × 352 (46 KB) | Csanády (talk | contribs) | == {{int:filedesc}} == {{Artwork |artist={{Creator:Mihály Munkácsy}} |title={{LangSwitch |en=Night Wanderers (I.) |hu=Éjjeli csavargók (I.) }} |description= |date={{other date|between|1872|1873}} |medium={{Oil on wood}} |dimensions={{Size|unit=cm| |
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Metadata
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JPEG file comment | MUNKÁCSY Mihály
(1844, Munkács - 1900, Endenich) Éjjeli csavargók 1872-73 Olaj, fa, 161,5 x 220 cm Magyar Nemzeti Galéria, Budapest Hazai emlékek követték Munkácsyt düsseldorfi pályáján is, ezek súlya, az életképfestészetben szokatlan drámaiság hozta meg számára az európai sikert. Éppen ez idõben Munkácsy idegállapota megrendült, attól való félelmében, hogy többé ilyen - szinte vérével festett - mûveket nem tud majd alkotni. De ha az élményeknek és indulatoknak ez a tüze nem is kísérte õt tovább, festészete más témákon izmosodott. Ezen a képen a városka házainak körvonala német környezetre vall, a megbilincseltek vezetõ alakja azonban magyar, a szegénylegény mása. A hajnali megrökönyödés a hajnali kofák arcán, mozdulataiban oly eleven, mintha még a hazai népélet- és karakterképek emléke táplálná Munkácsy ecsetjét. A jól ismert fiatal anya védõ mozdulattal és tekintettel szorítja magához a karonülõt. A kis vörös hajú púpos férfi, Munkácsy kedvelt alakja, felvont szemöldökkel tájékozódik a hangulat s a várható következmény felõl. A kalapos, szakállas csavargó aligha lépdel elsõ ízben megbilincselve: megveti a botránkozókat. MUNKÁCSY, Mihály (1844, Munkács - 1900, Endenich) Tramps at Night 1872-73 Oil on wood, 161,5 x 220 cm Hungarian National Gallery, Budapest Memories from Hungary engaged Munkácsy during his period in Munich and it was the drama of these experiences which brought him success in Europe. Munkácsy's nerves were shattered at that time: he was afraid that he would not be able to paint any more. Passionate experiences vanished but he had other subject matters to concentrate on. The contours of houses in this picture indicate a German town. The major figure in fetters is Hungarian, he looks like Munkácsy's tramp. Embarressment on the faces and in the gestures of market women is so lively as if Munkácsy painted a genre-picture and characters in the country in Hungary. The mother, another well-known figure from his pictures, embraces her child protectively. The red-haired man with a hump is raising his eyebrows and is trying to find out what is going on. The bearded outlaw with a hat is probably not fettered for the first time in his life: he despises people who are shocked around him. Type: genre Time-line: 1876-1900 Form: painting |
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