File:Mount Auburn- its scenes, its beauties, and its lessons (1861) (14765414762).jpg

Identifier: mountauburnitssc01flag (find matches)
Title: Mount Auburn: its scenes, its beauties, and its lessons
Year: 1861 (1860s)
Authors: Flagg, Wilson, 1805-1884. (from old catalog)
Subjects: Mount Auburn cemetery. (from old catalog)
Publisher: Boston and Cambridge, J. Munroe and company
Contributing Library: The Library of Congress
Digitizing Sponsor: Sloan Foundation

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lly n^nedhim about to be committed to the grave. The kiss of peace is spoken of, and the anointing withholy oil, as the last rites of all ; but these seem not tohave been always observed. It was very usual to strew CHRISTIAN BURIAL. 159 flowers on the grave ; and no old writer, how rigidsoever, has reprobated this innocent, beautifiil, and mostsuo;o;estive custom. And so fulfilled with the grace and benediction ofHim whom they had learned to know of their Father inHeaven, as their Redeemer to all eternity, in faith andhope, in the exercise of prayer and almsgiving, the earlyChristians were enabled to give hearty thanks to God,that he had been pleased to deliver their brethren outof the miseries of this sinful world. THE APPLETON MONUMENT. This monument stands in Woodbine Path, and was erected by Mr.Samuel Appleton, of Boston. It is a miniature Grecian Temple, of fineItalian marble, surmounted by funereal lamps, with appropriate deviceson its fa(,ade. It is the work of Italian artists.
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„ «,4..™iK swz:-<.ih^^ EPITAPHS AND INSCRIPTIONS. 161 EPITAPHS AND INSCRIPTIONS. Every person of intelligence and sensibility is alive to the beauties of a brief, simple, and appropriate epitaphwhich excites a reverence for the dead, and awakens aninterest in the events of his life. When we encounter aheadstone without an epitaph, it seems like a book with jamere title page, Mdiile the leaves that follow are blank. Itis an indispensable appendage to a monument, and weturn from one that is without it as from a work of sculp-ture that is unfinished. The propriety of this tribute to the dead is universally admitted ; and it is not, therefore,a useless task to endeavor to define the principles bywhich the composition of it should be governed ; for ifone that is appropriate and well written, is pleasing to themost indifferent reader, one that is awkward, high-soundinsi: or exaD-aerated, is ludicrous and demeaning; to the character of the subject. There are some epitaphs that relate pa

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