File:Max Slevogt - Don Juans Begegnung mit dem steinernen Gast (Don Juan's Meeting with the Stony Guest) - 1906.jpg
![File:Max Slevogt - Don Juans Begegnung mit dem steinernen Gast (Don Juan's Meeting with the Stony Guest) - 1906.jpg](https://upload.wikimedia.org/wikipedia/commons/thumb/0/01/Max_Slevogt_-_Don_Juans_Begegnung_mit_dem_steinernen_Gast_%28Don_Juan%27s_Meeting_with_the_Stony_Guest%29_-_1906.jpg/800px-Max_Slevogt_-_Don_Juans_Begegnung_mit_dem_steinernen_Gast_%28Don_Juan%27s_Meeting_with_the_Stony_Guest%29_-_1906.jpg?20150501123322)
Original file (6,016 × 4,000 pixels, file size: 13.75 MB, MIME type: image/jpeg)
Captions
Captions
Summary
[edit]Max Slevogt: Don Juan's encounter with the stony guest
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Artist |
artist QS:P170,Q703356 |
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Title |
Don Juan's encounter with the stony guest label QS:Len,"Don Juan's encounter with the stony guest"
label QS:Lfr,"Don Juan rencontre avec l'invité de pierre" |
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Object type |
painting ![]() |
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Description |
Don Juan steht dunkel vor gleißendem Licht das das Chaos im Raum betont. Simson (B 438) zerbricht eine der Säulen. Hinter ihm erscheinen undeutliche Formen in dem fahlen Kolorit der Malpappe. Das karge Motiv unterstreicht die Größe und Einsamkeit des Protagonisten. Slevogt hatte bei dem Sammler und Kulturhistoriker Eduard Fuchs Werke von Eugène Delacroix und Honoré Daumier gesehen, die ihn tief beindruckten. (SMB, Angelika Wesenberg) |
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Date |
1906 date QS:P571,+1906-00-00T00:00:00Z/9 |
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Medium |
oil on cardboard medium QS:P186,Q296955;P186,Q389782,P518,Q861259 |
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Dimensions |
height: 37.2 cm (14.6 in); width: 53.2 cm (20.9 in) dimensions QS:P2048,37.2U174728 dimensions QS:P2049,53.2U174728 |
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Collection |
institution QS:P195,Q162111 |
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Accession number |
B 437 |
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Object history | Die beiden Arbeiten „Don Juans Begegnung mit dem steinernen Gast“ und „Simson zerbricht die Säulen des Tempels“ stammen aus der Sammlung Fuchs. | ||||||||||||||||||||||||
Inscriptions | Das Gemälde ist in der Signatur Eduard Fuchs gewidmet. | ||||||||||||||||||||||||
References |
SMB-digital ID: 961014 ![]() |
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Source/Photographer | Self-photographed, Illustratedjc, Taken on 18 December 2014 |
Camera location | 52° 31′ 15.3″ N, 13° 23′ 53″ E ![]() | View this and other nearby images on: OpenStreetMap | ![]() |
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Licensing
[edit]
This is a faithful photographic reproduction of an original two-dimensional work of art. The work of art itself is in the public domain for the following reason:
This digital reproduction has been released under the following licenses: ![]() ![]() ![]() This file is licensed under the Creative Commons Attribution-Share Alike 4.0 International license.
In many jurisdictions, faithful reproductions of two-dimensional public domain works of art are not copyrightable. The Wikimedia Foundation's position is that these works are not copyrightable in the United States (see Commons:Reuse of PD-Art photographs). In these jurisdictions, this work is actually in the public domain and the requirements of the digital reproduction's license are not compulsory. |
File history
Click on a date/time to view the file as it appeared at that time.
Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 12:33, 1 May 2015 | ![]() | 6,016 × 4,000 (13.75 MB) | Illustratedjc (talk | contribs) | User created page with UploadWizard |
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File usage on Commons
The following 5 pages use this file:
- File:1906 Slevogt Don Juans Begegnung mit dem steinernen Gast anagoria.JPG
- File:Berlin, Alte Nationalgalerie, Max Slevogt, Don Juans Begegnung mit dem steinernen Gast.JPG
- File:Max Slevogt - Don Juans Begegnung mit dem steinernen Gast (Don Juan's Meeting with the Stony Guest) - 1906.jpg
- File:Max Slevogt - Don Juans Begegnung mit dem steinernen Gast (Don Juan's Meeting with the Stony Quest) - 1906.JPG (file redirect)
- File:Max Slevogt Don Giovannis Begegnung mit dem steinernen Gast.jpg
Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Camera manufacturer | NIKON CORPORATION |
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Camera model | NIKON D3200 |
Exposure time | 1/8 sec (0.125) |
F-number | f/4.5 |
ISO speed rating | 3,200 |
Date and time of data generation | 16:50, 18 December 2014 |
Lens focal length | 40 mm |
Orientation | Normal |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Software used | Ver.1.00 |
File change date and time | 16:50, 18 December 2014 |
Y and C positioning | Co-sited |
Exposure Program | Normal program |
Exif version | 2.3 |
Date and time of digitizing | 16:50, 18 December 2014 |
Meaning of each component |
|
Image compression mode | 4 |
APEX exposure bias | 0 |
Maximum land aperture | 4.4 APEX (f/4.59) |
Metering mode | Center weighted average |
Light source | Unknown |
Flash | Flash did not fire |
DateTime subseconds | 30 |
DateTimeOriginal subseconds | 30 |
DateTimeDigitized subseconds | 30 |
Supported Flashpix version | 1 |
Color space | sRGB |
Sensing method | One-chip color area sensor |
File source | Digital still camera |
Scene type | A directly photographed image |
Custom image processing | Normal process |
Exposure mode | Auto exposure |
White balance | Auto white balance |
Digital zoom ratio | 1 |
Focal length in 35 mm film | 60 mm |
Scene capture type | Standard |
Scene control | High gain up |
Contrast | Normal |
Saturation | Normal |
Sharpness | Normal |
Subject distance range | Unknown |
GPS tag version | 2.3.0.0 |