File:Masquerade Ticket (BM Cc,1.89).jpg
Original file (1,600 × 1,273 pixels, file size: 758 KB, MIME type: image/jpeg)
Captions
Summary
[edit]Masquerade Ticket ( ) | ||||||||||||||||||||||||
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Title |
Masquerade Ticket |
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Description |
English: Satire in the form of a mock admission ticket; a masquerade consisting of debauched looking characters in costume; at left, 'A', 'a sacrifice to Priapus', an altar to Priapus decorated with ram's heads and antlers, in front of which the figure of Time is stabbed by a bishop and a butcher, his blood pouring into a bowl held up by a monkey in a surplice; opposite at right, burning hearts on an altar to Venus and Cupid decorated with doves and wigs; at the back of the room, a painting of a Bacchic subject, to either side shelves with jellies and cakes, labelled 'Prouactiues' (provactives), and two signs with the obscene pun 'Supper below'; to either side, 'B', two 'Lecherometers' in the form of barometers, at left labelled 'Expectation Hope Hot desire Extreem Hot Moist Sudden Cold', at right 'Cool Warm Dry Changable Hot moist Fixt'; above the design at centre, a clock with Heidegger's face at top, the hour hand 'Wit', the minute hand 'Impertinence', the second hand 'Nonsense', to either side a lolling unicorn and lion, stroking their tails between their legs. 1727
Etching and engraving on chine collé |
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Depicted people | Representation of: John James Heidegger | |||||||||||||||||||||||
Date |
1727 date QS:P571,+1727-00-00T00:00:00Z/9 |
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Medium | paper | |||||||||||||||||||||||
Dimensions |
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Collection |
institution QS:P195,Q6373 |
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Current location |
Prints and Drawings |
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Accession number |
Cc,1.89 |
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Notes | 1727 was the year of George II's accession; the print refers to his patronage of Heidegger and to Heidegger's masquerades. The man at centre right holding up a girl's headdress to make her look like a fool may be 'Tiddy Doll', the gingerbread seller. | |||||||||||||||||||||||
Source/Photographer | https://www.britishmuseum.org/collection/object/P_Cc-1-89 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 |
Licensing
[edit]This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag. Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag. |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 21:21, 8 May 2020 | 1,600 × 1,273 (758 KB) | Copyfraud (talk | contribs) | British Museum public domain uploads (Copyfraud/BM) Satirical prints in the British Museum 1727 #455/12,043 |
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Metadata
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Horizontal resolution | 300 dpi |
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Vertical resolution | 300 dpi |
Width | 3,206 px |
Height | 2,550 px |
Bits per component |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Number of components | 3 |
Image width | 3,206 px |
Image height | 2,550 px |
Color space | sRGB |
Software used | Adobe Photoshop Elements 7.0 Windows |
Date and time of digitizing | 12:45, 6 January 2014 |
File change date and time | 12:48, 6 January 2014 |
Date metadata was last modified | 12:48, 6 January 2014 |