File:Marble bust of the emperor Hadrian wearing military dress, from Hadrian’s Villa, AD 117-118, British Museum (14245899524).jpg
![File:Marble bust of the emperor Hadrian wearing military dress, from Hadrian’s Villa, AD 117-118, British Museum (14245899524).jpg](https://upload.wikimedia.org/wikipedia/commons/thumb/4/47/Marble_bust_of_the_emperor_Hadrian_wearing_military_dress%2C_from_Hadrian%E2%80%99s_Villa%2C_AD_117-118%2C_British_Museum_%2814245899524%29.jpg/403px-Marble_bust_of_the_emperor_Hadrian_wearing_military_dress%2C_from_Hadrian%E2%80%99s_Villa%2C_AD_117-118%2C_British_Museum_%2814245899524%29.jpg?20150117063832)
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Summary
[edit]DescriptionMarble bust of the emperor Hadrian wearing military dress, from Hadrian’s Villa, AD 117-118, British Museum (14245899524).jpg |
English: This portrait bust was found at the Villa Adriana, the Roman emperor Hadrian’s magnificent country residence near Tivoli, outside Rome.
In ancient Rome, the dedication of public statues was governed by rules concerning location, material and iconography. This was even more important when it concerned imperial images. Official portraits were an extremely important way for Roman emperors to reach out to their subjects and their public image was defined by them. There are hundreds of surviving imperial statues, which show us that there were only three ways in which the emperor could officially be represented: in the battle dress of a general; in a toga, the Roman state civilian costume; or nude, likened to a god. These formats powerfully and effectively evoked the emperor’s role as commander-in-chief, magistrate or priest, and finally as the ultimate embodiment of divine providence. We know from ancient literary sources that Hadrian was particularly keen to project a strong military image and in this bust we see Hadrian presented as the commander-in-chief. Sculpted portraits of Hadrian show a remarkably naturalistic detail – a deep, diagonal crease in both earlobes. We now know there is a strong link between these creases and coronary artery disease. They are caused by the collapse of blood vessels in the earlobe, one of the early symptoms of the disease. It is impossible to say if Hadrian suffered from this illness, but the existence of such a life-like element in his portraits brings a strong sense of naturalism to them. <a href="https://www.britishmuseum.org/explore/highlights/highlight_objects/gr/m/marble_bust_of_hadrian.aspx" rel="nofollow">www.britishmuseum.org/explore/highlights/highlight_object...</a> |
Date | |
Source | Flickr |
Author |
English: Following Hadrian |
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This image, originally posted to Flickr, was reviewed on 21 January 2015 by the administrator or reviewer Leoboudv, who confirmed that it was available on Flickr under the stated license on that date. |
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 06:38, 17 January 2015 | ![]() | 3,225 × 4,795 (9.88 MB) | YiFeiBot (talk | contribs) | Bot: Uploading files from Flickr per request by Yann |
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Camera manufacturer | NIKON CORPORATION |
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F-number | f/4.8 |
ISO speed rating | 3,200 |
Date and time of data generation | 13:20, 10 May 2014 |
Lens focal length | 45 mm |
Orientation | Rotated 90° CCW |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Software used | Ver.1.01 |
File change date and time | 13:20, 10 May 2014 |
Y and C positioning | Co-sited |
Exposure Program | Not defined |
Exif version | 2.3 |
Date and time of digitizing | 13:20, 10 May 2014 |
Meaning of each component |
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Image compression mode | 4 |
APEX exposure bias | 0 |
Maximum land aperture | 4.5 APEX (f/4.76) |
Metering mode | Pattern |
Light source | Unknown |
Flash | Flash did not fire, compulsory flash suppression |
DateTime subseconds | 60 |
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Supported Flashpix version | 1 |
Color space | sRGB |
Sensing method | One-chip color area sensor |
File source | Digital still camera |
Scene type | A directly photographed image |
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Digital zoom ratio | 1 |
Focal length in 35 mm film | 67 mm |
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Scene control | High gain up |
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Subject distance range | Unknown |
GPS tag version | 2.3.0.0 |