File:Lime Spatula (Kena), Papua New Guinea, Brücke Museum Berlin, 65008, view b.jpg
![File:Lime Spatula (Kena), Papua New Guinea, Brücke Museum Berlin, 65008, view b.jpg](https://upload.wikimedia.org/wikipedia/commons/thumb/2/21/Lime_Spatula_%28Kena%29%2C_Papua_New_Guinea%2C_Br%C3%BCcke_Museum_Berlin%2C_65008%2C_view_b.jpg/449px-Lime_Spatula_%28Kena%29%2C_Papua_New_Guinea%2C_Br%C3%BCcke_Museum_Berlin%2C_65008%2C_view_b.jpg?20211102142842)
Original file (6,200 × 8,272 pixels, file size: 23.54 MB, MIME type: image/jpeg)
Captions
Captions
Summary
Object
Artist |
English: once known creator
Deutsch: einst bekannte*r Urheber*in |
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Description |
Deutsch: Kalkspatel (Kena)
English: Lime Spatula (Kena)
Tok Pisin: Diwai blo skelim kambang na kaikai wantaim buai na daga |
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Date |
from 19th century date QS:P571,+1850-00-00T00:00:00Z/7 until 20th centurydate QS:P571,+1950-00-00T00:00:00Z/7 |
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Medium | hard wood (Q15814392) | |||||||||||||||||||||||
Dimensions |
height: 40.3 cm (15.8 in); width: 4.3 cm (1.6 in); depth: 1 cm (0.3 in) dimensions QS:P2048,40,3U174728 dimensions QS:P2049,4,3U174728 dimensions QS:P5524,1U174728 |
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Collection |
institution QS:P195,Q833759 |
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Accession number |
H 44 |
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Place of creation | Massim, Milne Bay Province (Q874962) | |||||||||||||||||||||||
Object history |
transferred to Karl und Emy Schmidt-Rottluff Stiftung (Q108731834) from Karl Schmidt-Rottluff (Q161143) |
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Notes |
English: Kwila or Ebony wood is carved to make these spatulars from the Trobriand or Woodlark Islands.
This particular one is decoratively carved with incised patterns and painted with white lime but plainer ones are more commonly used to fill the mouth with lime. This is then chewed with the astringent betel nut (areca) to provide those partaking with a feeling of euphoria. (Grace Vele)
Deutsch: Diese Spatel werden aus Kwila- oder Ebenholz gefertigt und stammen von den Trobriand- oder Woodlark-Inseln.
Dieses Exemplar ist geschnitzten Mustern verziert und mit weißem Kalk bestrichen. Häufig werden schlichtere Exemplare verwendet, um Kalk in den Mund zu führen. Dieser wird dann zusammen mit der adstringierenden Betelnuss (areca) gekaut, um ein Gefühl der Euphorie zu erzeugen. (Grace Vele)
Tok Pisin: Ol lain lo Massim ol save usim dewai blo Ebony lo wokim ol Kena blo ol na tu olsave makim ol kainkain lain na cecol o olsave decoratim nais stret. Sampla taim ol save usim kambang lo kalarim handol sait blo Kena o hap diwai blo skelim kambang. |
Photograph
DescriptionLime Spatula (Kena), Papua New Guinea, Brücke Museum Berlin, 65008, view b.jpg | ||||
Date | ||||
Source | BrückeMuseumBerlin | |||
Author | Nick Ash, Berlin | |||
Permission (Reusing this file) |
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Other versions | Lime Spatula (Kena), Papua New Guinea, Brücke Museum Berlin, 65008, view a.jpg |
The estate of Karl Schmidt-Rottluff, owned by the Karl and Emy Schmidt-Rottluff Foundation at the Brücke Museum, contains his collection of around 100 sculptures and objects with colonial backgrounds. The Brücke artist himself never travelled outside Europe and, to the best of current knowledge, bought these objects in the art trade and from private owners from the 1910s onwards. The collection includes ritual and everyday objects, alongside souvenirs for the Western market. The way they were perceived underwent changes: they came to be seen as objects of art and decoration. Little is known of their origins, the circumstances of their acquisition, or the historical and current importance of the objects. Most of them originate from Germany’s former colonies, thus referring directly to German Expressionists’ entanglements in the often unlawful appropriation of material culture in colonially occupied lands. More
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current | 14:28, 2 November 2021 | ![]() | 6,200 × 8,272 (23.54 MB) | BrückeMuseumBerlin (talk | contribs) | Uploaded own work with UploadWizard |
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Camera manufacturer | Hasselblad |
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Camera model | Hasselblad X1D II 50C |
Author | Nick Ash |
Exposure time | 1/500 sec (0.002) |
F-number | f/11 |
ISO speed rating | 100 |
Date and time of data generation | 12:03, 10 June 2021 |
Lens focal length | 90 mm |
Width | 6,200 px |
Height | 8,272 px |
Bits per component |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Orientation | Normal |
Number of components | 3 |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Data arrangement | chunky format |
Software used | Adobe Photoshop 22.4 (Macintosh) |
File change date and time | 19:11, 17 June 2021 |
Exposure Program | Manual |
Exif version | 2.1 |
Date and time of digitizing | 12:03, 10 June 2021 |
APEX shutter speed | 8.9657842814922 |
APEX aperture | 6.9188632369041 |
Maximum land aperture | 3.47393118 APEX (f/3.33) |
Subject distance | 1.09 meters |
Metering mode | Center weighted average |
Flash | Flash did not fire |
Color space | sRGB |
Focal plane X resolution | 1,886.79 |
Focal plane Y resolution | 1,886.79 |
Focal plane resolution unit | 3 |
Focal length in 35 mm film | 71 mm |
Lens used | XCD 90 |
Serial number of camera | VQ29100674 |
Date metadata was last modified | 21:11, 17 June 2021 |
Rating (out of 5) | 5 |
Unique ID of original document | 283E8C34B68EF3B2CD87DD319268162C |
Contact information | mail@nick-ash.com
Monumentenstr. 13E Berlin, , 10829 Deutschland |
IIM version | 4 |