File:Liett gover Gallston's monkey breaking of Sir Sydney's ape (BM 1851,0901.1363).jpg
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Captions
Summary
[edit]Liett gover Gallston's monkey breaking of Sir Sydney's ape ( ) | ||||||||||||||||||||||||
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Title |
Liett gover Gallston's monkey breaking of Sir Sydney's ape |
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Description |
English: A monkey-like postillion, resembling 'Jackoo' in BMSat 7721, rides (right to left) a baboon with a human head which is turned full face. The postillion flourishes his whip above his head with an air of triumph, and holds up in his left hand a bottle labelled 'Laudanum, or the Preservation of Life - prepared by Lieut Genl jackoo, Spanish posttilion to Dr Viper - O Death where is thy Sting?" From each coat-pocket protrudes a bottle labelled 'Extract of Hellebore and Extract of Hemlock'. The scene is the sea-shore with three men-of-war, two being in action; the third flies a British flag. On the right is a low thatched hut in which sit two apes with tails, but wearing mob caps, one weeps, the other holds her by the shoulders as if to comfort her. 1790
Hand-coloured etching |
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Depicted people | Associated with: Philip Thicknesse | |||||||||||||||||||||||
Date |
circa 1790 date QS:P571,+1790-00-00T00:00:00Z/9,P1480,Q5727902 |
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Medium | paper | |||||||||||||||||||||||
Dimensions |
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Collection |
institution QS:P195,Q6373 |
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Current location |
Prints and Drawings |
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Accession number |
1851,0901.1363 |
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Notes |
(Description and comment from M.Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', VI, 1938) An attack on Philip Thicknesse, see BMSat 7721, &c. The allusion to 'Sir Sydney's Ape' is obscure. For 'Jocko', Thicknesse's monkey postillion, see BMSat 7721. As a remedy for gall-stone Thicknesse recommended ('inter alia') 'a free use of laudanum, twenty, thirty or forty drops, . . .' 'Memoirs', 1788, i. 161. The black creatures in the hut are probably a comment on Thicknesse's remarks on negroes (apropos the anti-slavery movement): Their face is scarce what we call human, their legs . . ., and their broad flat foot, and long toes . . . have much the resemblance of the Ourang Outang, or Jocko, and other quadrupeds of their own climates. . . .' 'Journey Through France . . .', 1789, ii. 102. ................................................... Tim Clayton (personal communication) has identified 'Sir Sydney' as the riding master Sir Sidney Medows, and his 'Ape' as John Crookshanks (see also BM Satires 7733) |
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Source/Photographer | https://www.britishmuseum.org/collection/object/P_1851-0901-1363 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 |
Licensing
[edit]This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag. Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag. |
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 13:05, 12 May 2020 | 1,600 × 1,151 (596 KB) | Copyfraud (talk | contribs) | British Museum public domain uploads (Copyfraud/BM) Satirical prints in the British Museum 1790 #5,876/12,043 |
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Orientation | Normal |
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Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Software used | Adobe Photoshop Elements 2.0 |
File change date and time | 09:38, 8 September 2006 |
Color space | Uncalibrated |