File:Le tutti orchestral (1921) (14779657145).jpg

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Identifier: letuttiorchestra00gils (find matches)
Title: Le tutti orchestral
Year: 1921 (1920s)
Authors: Gilson, Paul
Subjects: Instrumentation and orchestration Instrumentation et orchestration
Publisher: Bruxelles : Schott
Contributing Library: University of Ottawa
Digitizing Sponsor: University of Ottawa

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Cuivres. Ceci en admettant que les rer/lstres employés soient iden-tiques dans les trois groupes, et que les sons soient, de même valeurdynamique (partout /. jiar exemple). Car il est évident rpie si lon mêle un registre Icnic avec un registrefclntaiit, ce dernier dominera lautre. (Voir plus loin !«■ tableau dela registration des instruments i Il est également certain (;uun trait rapide est moins sonore quunesucces.sion de jiotes attaquées posément. — jun- exemple des blanchesou des noires dans un mou veinent modéré. Xoici. daprès F.-A. Gevaert \Trait(_ dJiistiitiiivnlation, Lemoinc.éditein-. Paris), les registres des instruments actuellement usités. Comme on le voit, ciiacuii de ces registres possède ses )nirticul;i-rités. son i-sthétique. A ce sujet, Berlioz a écrit des pages éloquentesdans son Traité dinstraiiieiitatiou, et les observations de F.-A. Ge-vaert iTraité eitéj, sont des plus judicieuses: ))ersonne ne devrait sedispenser de les connaître. Violon
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»T ^°ei4^ cors diffirili Tuba Contrebasse (Mib) aons réels Tuba. Contrebasse (Sik) sons réels

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https://www.flickr.com/photos/internetarchivebookimages/14779657145/

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Flickr tags
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  • bookid:letuttiorchestra00gils
  • bookyear:1921
  • bookdecade:1920
  • bookcentury:1900
  • bookauthor:Gilson__Paul
  • booksubject:Instrumentation_and_orchestration
  • booksubject:Instrumentation_et_orchestration
  • bookpublisher:Bruxelles___Schott
  • bookcontributor:University_of_Ottawa
  • booksponsor:University_of_Ottawa
  • bookleafnumber:42
  • bookcollection:universityofottawa
  • bookcollection:toronto
Flickr posted date
InfoField
29 July 2014


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29 September 2015

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