File:Laurea Calloana (BM 1884,0112.74).jpg
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Captions
Summary
[edit]Laurea Calloana ( ) | ||||||||||||||||||||||||
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Artist |
Print made by: Theodoor van Thulden
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Title |
Laurea Calloana |
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Description |
English: Plate 43: The Triumphal Car of Calloo: in the foreground is an ornate, four-wheeled chariot in the form of a ship bearing a grand trophy-mast, drawn by four caparisoned horses; taking the reigns and raising a whip is the two-faced personification of Providentia Augusta, one of the Cardinal Virtues, looking to the past and future; behind her kneel the personifications of Antwerp (Antverpia), wearing the mural crown and with hands outstretched, and St Omer (Audomaropolis) gazing up to the medallion of Ferdinand above and offering their gratitude; at the base of the trophy-mast sit two winged Fames blowing trumpets affixed with banners inscribed 'Callinice' and 'Io Triumphe', acclamations for the conqueror; seated and bound at the base of the mast are several abject French and Dutch prisoners of war; on the raised platform at the stern of the chariot-ship stand personifications of Virtus (Valour), carrying a thunderbolt, and Fortune resting her hand on a rudder; at either side of the trophy-mast stand winged Victories holding wreaths and raising a garlanded shield bearing an inscription; above them a mass of armour, military implements, and banners extends from the trophy-mast, explained by the inscriptions 'Cæsis Detracta Batavis' (removed from the slain Hollanders) and 'De Gallis Capta Fugatis' (captured from the French who were put to flight) on the banners; above is a laurel wreath that serves as a base for the elaborate ornament surmounting the trophy-mast, complete with the coats-of-arms of Philip IV and Ferdinand, the Spanish and Austrian flags, a crown, intertwined palm branches and a laurel tree at the top; in the background is a bird's-eye view of the battle of Calloo and the surrounding countryside of Antwerp; after Peter Paul Rubens; illustration for Gaspar Gevaerts' "Pompa Introitus" (Antwerp, 1641)
Etching from two plates |
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Depicted people | Illustration to: Gaspar Gevaerts | |||||||||||||||||||||||
Date | 1635-1641 (c.) | |||||||||||||||||||||||
Medium | paper | |||||||||||||||||||||||
Dimensions |
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Collection |
institution QS:P195,Q6373 |
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Current location |
Prints and Drawings |
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Accession number |
1884,0112.74 |
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Notes |
One of a series of forty-three plates illustrating Gaspar Gevaerts' "Pompa Introitus"; for further comments see 1884,0112.31. Ferdinand's success in the Battle of Calloo took place some three years after his Triumphal Entry into Antwerp in 1635, however Gevartius was authorized by the city to include this event in his Pompa Introitus. Planning for the attack on Antwerp began in 1638, becoming imperative when the Dutch troops crossed the Schelde and occupied the forts of Verrebroek and Calloo. Prince Ferdinand reacted by sending the Spanish army to expel the Dutch at Calloo, taking prisoners, capturing artillery, and forcing them to withdraw. Several days later Ferdinand achieved another defeat at St Omer. Rubens was commissioned by the city to design a triumphal car for the annual Ommegang. Lit: John Rupert Martin, The Decorations for the Pompa Introitus Ferdinandi, Corpus Rubenianum XVI, London, 1972, pp. 216-217. |
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Source/Photographer | https://www.britishmuseum.org/collection/object/P_1884-0112-74 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 |
Licensing
[edit]This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag. Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag. |
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 20:40, 9 May 2020 | 1,600 × 1,101 (262 KB) | Copyfraud (talk | contribs) | British Museum public domain uploads (Copyfraud/BM) Flemish prints in the British Museum 1635 #17/3,454 |
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Metadata
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Camera manufacturer | Apple |
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Camera model | iPad Air 2 |
Exposure time | 1/33 sec (0.03030303030303) |
F-number | f/2.4 |
ISO speed rating | 80 |
Date and time of data generation | 11:08, 9 January 2019 |
Lens focal length | 3.3 mm |
Width | 3,264 px |
Height | 2,448 px |
Bits per component |
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Pixel composition | RGB |
Orientation | Normal |
Number of components | 3 |
Horizontal resolution | 72 dpi |
Vertical resolution | 72 dpi |
Software used | Adobe Photoshop Elements 11.0 Windows |
File change date and time | 11:26, 9 January 2019 |
Y and C positioning | Centered |
Exposure Program | Normal program |
Exif version | 2.21 |
Date and time of digitizing | 11:08, 9 January 2019 |
Meaning of each component |
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APEX shutter speed | 5.0589898672532 |
APEX aperture | 2.5260688116622 |
APEX brightness | 3.7670947206673 |
APEX exposure bias | 0 |
Metering mode | Pattern |
Flash | Flash did not fire, No flash function |
DateTimeOriginal subseconds | 301 |
DateTimeDigitized subseconds | 301 |
Supported Flashpix version | 1 |
Color space | sRGB |
Sensing method | One-chip color area sensor |
Scene type | A directly photographed image |
Exposure mode | Auto exposure |
White balance | Auto white balance |
Focal length in 35 mm film | 31 mm |
Scene capture type | Standard |
Lens used | iPad Air 2 back camera 3.3mm f/2.4 |
Date metadata was last modified | 11:26, 9 January 2019 |
Unique ID of original document | DE5A97D121A68E712F23D6FB024969DD |
IIM version | 20,034 |