File:Language! (BM 1978,U.3023.6).jpg
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Captions
Captions
Summary
[edit]Language!
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Artist |
Print made by: George Cruikshank
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Title |
Language! |
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Description |
English: See No. 15191- [1] A Billingsgate scene. Two fishwives shriek insults at each other, surrounded by interested and appraising market-people. A primly dressed woman walks off, shocked. Behind are masts and a notice-board: 'Notice All boats laden with Oysters arriving at Billings-Gate Market during the season to be moored at the Head of Billingsg...' Cf. No. 13081. [2] 'Ideality'. A man starts up in bed, terrified at clothes on a chair which resemble a ghastly seated man. Garments on a peg resemble a white-robed figure. A full moon, with grinning features, is seen through the window. [3] 'Wit'. A poor old woman with a lantern in a churchyard is terrified by boys hiding behind a tombstone inscribed '"Alas Poor Yorick"'; they hold up a turnip-headed 'ghost' on a pole. [4] 'Imitation— &—Approbation', the words applying to Mathews (1.) and his audience. On the stage Mathews, wearing black spectacles, stands behind his table with its two lamps as in No. 14714; &c. He holds up a skull with phrenological markings (as in No. 15191); other skulls are on the table. He mimics a phrenological lecture, to the delight of the audience, who laugh and clap; one has a playbill: 'Mathews at Home'. [5] 'Comparison'. Contrasted figures approach each other: a very tall thin man with a neatly furled umbrella under his arm, at the corner of 'Long Acre' (right) and a very short woman with ballooning petticoats and open parasol, opposite 'Little St Martin's Lane'. Two barelegged boys point and jeer. 1 August 1826
Hand-coloured etching |
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Depicted people | Associated with: Charles Mathews | |||||||||||||||||||||||
Date |
1826 date QS:P571,+1826-00-00T00:00:00Z/9 |
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Medium | paper | |||||||||||||||||||||||
Dimensions |
Height: 250 millimetres
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Collection |
institution QS:P195,Q6373 |
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Current location |
Prints and Drawings |
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Accession number |
1978,U.3023.6 |
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Notes |
Fifth plate of six stitched together with a wood-engraved title-page and paper cover; see record for 1987,U.3023.1. (Description and following comment from M. Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', X, 1952) There is a pencil sketch in which only [1] and [5] are as the print. There are also sketches for 15194 [2], reversed, and 15197 [6]. See 1891,1117.167 (Binyon, i. 290. Pressmark 199.c.2/167). A woodcut copy of [1] in Gallery of Comicalities' (Bell's Life in London and Sporting Chronicle, 21 Oct. 1827), caption, ‘Studies from Demosthenes’; or ‘Eloquence on the Water-side’. |
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Source/Photographer | https://www.britishmuseum.org/collection/object/P_1978-U-3023-6 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 |
Licensing
[edit]This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag. ![]() |
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 11:42, 6 May 2020 | ![]() | 1,600 × 1,320 (402 KB) | Copyfraud (talk | contribs) | British Museum public domain uploads (Copyfraud/BM) Satirical prints in the British Museum 1826 #411 |
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