File:La chute du despotisme. The downfall of despotism (BM 1925,0701.11 1).jpg
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Summary
[edit]La chute du despotisme. The downfall of despotism
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Artist |
Print made by: Frederick George Byron
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Title |
La chute du despotisme. The downfall of despotism |
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Description |
English: A symbolical representation of the fall of the Bastille. The inscriptions, in incorrect French, are translated beneath the design, here given in brackets. On the right is a portion of the building, still intact, with a lowered drawbridge on which stand two emaciated prisoners with long beards and talons for nails clad only in scanty draperies. They address Orléans, who stands, with extended arms saying, "*Regardez Mes amis les effet louables [sic] d'aristocracie! (*Behold, my friends, the lamentable, effects of Aristocracy)". A prisoner exclaims, clasping his hands, "†Oh! Quel luminaire glorieux! (†Hail, thou glorious luminary!)". On the roof sits Liberty with the staff and cap of 'Libertas', on a circular pedestal inscribed 'Montesquieu, Raynal, Voltaire, Rousseau'. At her feet stand an officer and a civilian displaying Liberty to those below; they are presumably Lafayette and Necker. All three are irradiated. On the ground below, Louis XVI kneels in profile to the left with his back to the Bastille, facing with clasped hands the Comte d'Artois and Marie-Antoinette enclosed in a setting sun (of tyranny), which sinks below the level of the ground; round its disk are instruments of torture: chains, scourges, an axe, a wheel, a harrow. Artois, stamping and clasping his forehead in despair exclaims, "*Helas! Artois miserable Q'un Sortie est le tion! (*Miserable Artois, what an exit's thine.)" The Queen says to Louis, "†Renvoyez vos troupes au plus vit nous avons perdu (†Send back your Troops - all is over)". Behind the King the attackers of the Bastille, all in regimentals, with a flag inscribed 'Libertas', are fighting at close quarters with the garrison; muskets are being fired and sabres used. 14 August 1789
Hand-coloured etching |
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Depicted people | Associated with: Charles X, King of France and Navarre | |||||||||||||||||||||||
Date |
1789 date QS:P571,+1789-00-00T00:00:00Z/9 |
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Medium | paper | |||||||||||||||||||||||
Dimensions |
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Collection |
institution QS:P195,Q6373 |
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Current location |
Prints and Drawings |
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Accession number |
1925,0701.11 |
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Notes |
(Description and comment from M.Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', VI, 1938) The print well represents the attitude towards the fall of the Bastille which (in France and abroad) became a symbol of the aspirations of the Revolution. For prints relating to it see de Vinck, Nos. 1533-1722. The facts had little relation to the symbolism: the governor surrendered on a promise of safety for himself and the small garrison, but was murdered. What little fighting was done was by deserters from the 'Gardes Français'. See Flammermont, 'La Journée du 14 Juillet 1789', 1892; C. D. Hazen, 'The French Revolution', 1932, Chap. IX. For the seven prisoners cf. de Vinck, No. 1628. One of the aged prisoners depicted is probably J. F. X. Whyte, known as Count Whyte de Melville, b. Dublin 1730, transferred 15 July 1789 to the asylum at Charenton. Alger, 'Englishmen in the French Revolution', 1889, pp. 10, 333. See also BMSats 7160, 7546, 7548, 7558, 7561, 7634, 7665, 7678, 7685. Similar in manner to BMSats 7554, 7632. |
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Source/Photographer | https://www.britishmuseum.org/collection/object/P_1925-0701-11 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 | |||||||||||||||||||||||
Other versions |
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Licensing
[edit]This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag. ![]() |
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 07:09, 14 May 2020 | ![]() | 2,500 × 2,129 (802 KB) | Copyfraud (talk | contribs) | British Museum public domain uploads (Copyfraud/BM) Satirical prints in the British Museum 1789 image 2 of 2 #8,013/12,043 |
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Camera manufacturer | Phase One |
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Camera model | P 65+ |
Date and time of data generation | 16:05, 6 September 2010 |
Exposure time | 2,694/336,749 sec (0.0080000237565665) |
ISO speed rating | 50 |
Width | 7,456 px |
Height | 6,350 px |
Bits per component |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Number of components | 3 |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Exif version | 2.2 |
Image width | 7,456 px |
Image height | 6,350 px |
Date and time of digitizing | 16:05, 6 September 2010 |
APEX shutter speed | 6.96578 |
Light source | Other light source |
File source | Digital still camera |
Scene type | A directly photographed image |
Color space | Uncalibrated |
Software used | Capture One 5 Macintosh |
File change date and time | 15:58, 18 October 2010 |
Date metadata was last modified | 15:58, 18 October 2010 |
Unique ID of original document | xmp.did:390CE6DC23206811871F9673945A72A3 |
IIM version | 4 |