File:La Gierusalemme Liberata di Torquato Tasso (BM 1871,0812.298).jpg
![File:La Gierusalemme Liberata di Torquato Tasso (BM 1871,0812.298).jpg](https://upload.wikimedia.org/wikipedia/commons/thumb/8/8b/La_Gierusalemme_Liberata_di_Torquato_Tasso_%28BM_1871%2C0812.298%29.jpg/415px-La_Gierusalemme_Liberata_di_Torquato_Tasso_%28BM_1871%2C0812.298%29.jpg?20200506081114)
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Captions
Captions
Summary
[edit]La Gierusalemme Liberata di Torquato Tasso
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Artist |
After: Bernardo Castello
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Title |
La Gierusalemme Liberata di Torquato Tasso |
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Description |
English: Frontispiece with the portrait of Torquato Tasso, displayed in an oval medallion, between two naked putti. Architecture with two columns and Ionic capitals supporting an architectural pediment; between the columns is a table identifying the title. Below is represented a view of the port of Genoa; bound in Torquato Tasso, 'La Gierusalemme Liberata' (Genoa, Girolamo Bartoli: 1590).
Engraving |
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Depicted people | Associated with: Bernardo Castello | |||||||||||||||||||||||
Date | 1586-1590 (c.) | |||||||||||||||||||||||
Medium | paper | |||||||||||||||||||||||
Dimensions |
Height: 237 millimetres
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Collection |
institution QS:P195,Q6373 |
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Current location |
Prints and Drawings |
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Accession number |
1871,0812.298 |
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Notes |
This print is bound in Torquato Tasso, 'La Gierusalemme Liberata' (Genoa, Girolamo Bartoli: 1590). The volume is in leather with gold decorative border, lettered on the spine with 'Tasso Fig. da Castel. Gen. 1590', first illustrated edition of the complete book with Tasso's poem, two comments by Scipio Gentili and Giulio Guastavini, and 20 engravings plus frontispiece by Agostino Carracci and Giacomo Franco after Bernardo Castello (1871,0812.298-318). Handwritten note inside the cover. The epic poem the 'Gerusalemme Liberata' by Torquato Tasso narrates the story of the first Crusade, led by Godfrey of Boulogne, who captured Jerusalem in 1099. The poem was published in 1581 and it was republished with illustration in 1590 in Genoa by Girolamo Bartoli. There are twenty-one engravings, including the frontispice. Eleven engravings were signed by Giacomo Franco and two were signed by A.C.F., which Bellori and Malvasia interpreted as Agostino Carracci's signature, and based on this Malvasia ascribed seven additional engravings to Agostino. The engravings reproduce drawings by Bernardo Castello, now in Palermo (Gabinetto di Disegni e Stampe della Galleria Regionale di Palazzo Abatellis); see: The Illustrated Bartsch, Italian Master of the sixteenth century, Agostino Carracci, New York 1995, 39, pp. 244-245. This print is in reverse of the original drawing by B. Castello which is in the Galleria di Palazzo Abatellis in Palermo (inv. no. 106/116), see: The Illustrated Bartsch, Italian Master of the sixteenth century, Agostino Carracci, New York 1995, 39, no. 163; D. De Grazia, Le stampe dei Carracci con i disegni, le incisioni, le copie e i dipinti connessi, Bologna 1984, no. 155. |
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Source/Photographer | https://www.britishmuseum.org/collection/object/P_1871-0812-298 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 |
Licensing
[edit]This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag. ![]() |
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 08:11, 6 May 2020 | ![]() | 1,109 × 1,600 (564 KB) | Copyfraud (talk | contribs) | British Museum public domain uploads (Copyfraud/BM) Book illustrations in the British Museum 1586 #2528 |
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Metadata
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Date and time of data generation | 11:01, 21 September 2017 |
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Width | 4,128 px |
Height | 2,322 px |
Bits per component |
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Pixel composition | RGB |
Orientation | Normal |
Number of components | 3 |
Horizontal resolution | 72 dpi |
Vertical resolution | 72 dpi |
Software used | Adobe Photoshop Elements 11.0 Windows |
File change date and time | 11:31, 21 September 2017 |
Y and C positioning | Centered |
Exposure Program | Normal program |
Exif version | 2.2 |
Date and time of digitizing | 11:01, 21 September 2017 |
Meaning of each component |
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APEX brightness | 3.33203125 |
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Maximum land aperture | 2.28 APEX (f/2.2) |
Metering mode | Center weighted average |
Light source | Unknown |
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Supported Flashpix version | 1 |
Color space | sRGB |
Sensing method | One-chip color area sensor |
Scene type | 49 |
Exposure mode | Auto exposure |
White balance | Auto white balance |
Focal length in 35 mm film | 31 mm |
Scene capture type | Standard |
Unique image ID | S13F0SAGK01 |
Date metadata was last modified | 12:31, 21 September 2017 |
Unique ID of original document | 09E8D8902F3D93229CB12A330FF81622 |
IIM version | 6,779 |