File:L'art de reconnaître les styles - le style Louis XIII (1920) (14770994865).jpg

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Identifier: lartdereconnatre00baya (find matches)
Title: L'art de reconnaître les styles : le style Louis XIII
Year: 1920 (1920s)
Authors: Bayard, Emile, 1868-1937
Subjects: Decoration and ornament Art, French Art
Publisher: Paris : Garnier frères
Contributing Library: Harold B. Lee Library
Digitizing Sponsor: Brigham Young University

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àréaliser une harmonie constructive dont le public,unanimement, bénéficiera. Cest là le début de nosagglomérations Je maisons, de notre groupementpar quartiers, succédant aux palais isolés, dunebeauté hautaine et distante. Dès Henri IV, la royauté se fonde sur des basesnouvelles et le trône demeure inébranlable, si toute-fois les ministères, appelés alors aux affaires, sontaussi instables que les nôtres. Lidée dune commu-nion avec le peuple semble germer à cette époqueoù le Béarnais institue « la poule au pot » démocra-tique, et Louis XIII sera surnommé le Juste. Tou-jours est-il que le vulgaire va être dès maintenantconvié par larchitecture à des commodités, à unefantaisie, que les précédents seigneurs avaient acca-parées, et il résultera de cette légitime concession,une façade, une régularité, doù naîtront nos ruesordonnées par un style. Ainsi le cœur de la noblessecommencera-t-il à battre à lunisson de celui de la NOTIONS VRÉL1MINAIRES
Text Appearing After Image:
Fig. 6. — Cheminée (dessin). 10 LE STYLE LOUIS XIII foule, et Henri IV aimera les paysans dont, avec Sully,il flattera la terre pour le plus grand essor de la richessenationale. Les villes sont nées de lidéal mis en commun, desaspirations associées en vue du bien-être général, etun pays ne vaut que par la fortune de ses villes soli-daires. Cest ce que Henri IV semble le premier avoir compris,lorsquil restauralautorité royaleaprès avoir réor-ganisé la Francedévastée par lesguerres de reli-gion, depuisCharles IX. Bref, bâtimentsroyaux et habita-tions privées fraternisent maintenant dans laccord delarchitecture, et lart tout entier va commencer àsunir en condescendant à lagrément de tous. Mais répétons-le, loriginalité constructive, en rup-ture de Renaissance, va tomber fatalement dans lexa-gération de sa réaction, et cen est fait deslégèretés,desdécoupures et des fragilités précédentes. On prendtout, même, à contre-pied, et cela se conçoit, si tantest

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https://www.flickr.com/photos/internetarchivebookimages/14770994865/

Author Bayard, Emile, 1868-1937
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Flickr tags
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  • bookid:lartdereconnatre00baya
  • bookyear:1920
  • bookdecade:1920
  • bookcentury:1900
  • bookauthor:Bayard__Emile__1868_1937
  • booksubject:Decoration_and_ornament
  • booksubject:Art__French
  • booksubject:Art
  • bookpublisher:Paris___Garnier_fr__res
  • bookcontributor:Harold_B__Lee_Library
  • booksponsor:Brigham_Young_University
  • bookleafnumber:20
  • bookcollection:brigham_young_university
  • bookcollection:americana
Flickr posted date
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28 July 2014
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