File:L'art de reconnaître les styles - le style Louis XIII (1920) (14770750592).jpg

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Identifier: lartdereconnatre00baya (find matches)
Title: L'art de reconnaître les styles : le style Louis XIII
Year: 1920 (1920s)
Authors: Bayard, Emile, 1868-1937
Subjects: Decoration and ornament Art, French Art
Publisher: Paris : Garnier frères
Contributing Library: Harold B. Lee Library
Digitizing Sponsor: Brigham Young University

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alité contre le natu-ralisme propre à lécole hollandaise, et lon pourrait endire autant de Part du Poussin, qui se fût offensé de laréalité chère, dune manière générale, à toute lécoleétrangère, si remarquable néanmoins à lépoque, parson audacieuse et géniale désinvolture. On remarquera enfin, que Claude Gelée ne travaillapoint pour la cour de France. Alors que la cour dEs-pagnelavaitfêté, lillustre peintre, qui mourutà Rome,comme Poussin, semble être demeuré à lécart denotre art officiel, malgré que, cependant, deux toilesdu maître aient retracé les hauts faits de Louis XIII :le Siège de La Rochelle par Louis XIII; le Pas deSuse forcé par Louis XIII (1651). Après avoir célébré la gloire du « Raphaël du pay-sage » qui neut peut-être dégal dans la sincérité quele Hollandais Ruysdaë-1, nous parlerons dun autre LA PEINTURE 103 maître inséparable de lépoque en question : JacquesCallot.Jacques Callot, peintre et graveur, naquit à Nancy &
Text Appearing After Image:
Fig. 63. — La descente de croix (Musée du Louvre), par Le Sueur. en 1592 et mourut en 1635. Son art épique, essentiel-lement français, représente, a-t-on dit, fort justement,« limagination artistique et la verve du xvne siècle,au temps de Richelieu ». Comme Claude Gelée, Callot connut la détresse des 104 LE STYLE LOUIS XIII débuts et la vie aventureuse. La série des Bohémiens(fîg. 72, 73 et 75) en dit long sur lexistence nomade,croquée sur le vif, que cet artiste eut à endurer avantde connaître la tranquillité, relative du moins, danslaquelle nous le verrons produire si personnellementet avec une observation si aiguë. Mais nous ne nous essoufflerons pas à suivre Callotà travers ses pérégrinations, et nous nous borneronsà citer ses œuvres dune si grande variété dinspira-tion : scènes de mœurs et de genre, sujets religieux,fêtes, paysages, batailles; représentations pittoresquesde seigneurs et de gueux, tour à tour rendus avec unevérité saisissante ou

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  • bookid:lartdereconnatre00baya
  • bookyear:1920
  • bookdecade:1920
  • bookcentury:1900
  • bookauthor:Bayard__Emile__1868_1937
  • booksubject:Decoration_and_ornament
  • booksubject:Art__French
  • booksubject:Art
  • bookpublisher:Paris___Garnier_fr__res
  • bookcontributor:Harold_B__Lee_Library
  • booksponsor:Brigham_Young_University
  • bookleafnumber:114
  • bookcollection:brigham_young_university
  • bookcollection:americana
Flickr posted date
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28 July 2014
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