File:L'art de reconnaître les styles - le style Louis XIII (1920) (14768698604).jpg

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Identifier: lartdereconnatre00baya (find matches)
Title: L'art de reconnaître les styles : le style Louis XIII
Year: 1920 (1920s)
Authors: Bayard, Emile, 1868-1937
Subjects: Decoration and ornament Art, French Art
Publisher: Paris : Garnier frères
Contributing Library: Harold B. Lee Library
Digitizing Sponsor: Brigham Young University

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on Mercure ordon-nant à Énée de quitter Bidon, du musée du Louvre, nidans son Saint Jean du musée dOrléans. Après Fréminet, Simon Vouet, premier peintre deLouis XIII, ne brillera pas davantage par loriginalité. 1. Àmbroise Dubois, natil dAnvers, « sitalianisa » sans plusdoriginalité que Fréminet avec lequel il travailla à la galerie dela Reine, au palais de Fontainebleau. Marie de Médicis lemployaaussi au Luxembourg et au Louvre. Naturalisé français, cepeintre officiel de la cour de Henri IV (ainsi que Toussaint Du-breuil, mort en 1602, élève de Fréminet, qui termina VHistoiredUlysse, laissée inachevée à Fontainebleau par le Primatice ettravailla dautre part à la galerie dApollon détruite par unincendie en 1660), a peint encore, à Fontainebleau, un Théagèneet Chariclée, tableau placé maintenant dans la chambre ovale oùnaquit Louis XIII. LA PEINTURE 77 Tout comme son prédécesseur, il voyagea à Home,doù il ne rapporta guère quun style sans grande pu-
Text Appearing After Image:
Pig. 47. — Pavillon de VHorloge (Louvre), par Lemercier. reté, fatalement entraîné sur la fin, versîe maniérisme.Vouet, pensionné par le roi qui lavait rappelé à Pa-ris en 1627, décora, tandis quil donnait des leçons depastel à son bienfaiteur, le Louvre, Fontainebleau, lechâteau de Saint-Germain-en-Laye ; sans compter 78 LE STYLE LOUIS XIII quil fournit un grand nombre de portraits et de car-Ions de tapisserie. Nous le voyons ensuite travaillerpour Richelieu (au Palais-Cardinal, à lancien hôtelTubcuf (où il donna un plafond) qui fut le noyau dela Bibliothèque nationale (fig. 56) et au château deRueil), puis pour le maréchal dEffiat, à Chilly (1635);pour le duc dAumont, etc. Léglise Saint-Louis-en-rile, à Paris, possède de cet artiste : la Communionde saint Louis ; le musée du Louvre : un Portrait deLouis XII/, notamment; et le musée de Lyon: unChrist en croix. Simon Vouet, peintre au pinceau fa-cile, sans éclat comme sans caractère, eut surtoutlhonneur de

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  • bookid:lartdereconnatre00baya
  • bookyear:1920
  • bookdecade:1920
  • bookcentury:1900
  • bookauthor:Bayard__Emile__1868_1937
  • booksubject:Decoration_and_ornament
  • booksubject:Art__French
  • booksubject:Art
  • bookpublisher:Paris___Garnier_fr__res
  • bookcontributor:Harold_B__Lee_Library
  • booksponsor:Brigham_Young_University
  • bookleafnumber:88
  • bookcollection:brigham_young_university
  • bookcollection:americana
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28 July 2014
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