File:L'art de reconnaître les styles - le style Louis XIII (1920) (14584696487).jpg

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Identifier: lartdereconnatre00baya (find matches)
Title: L'art de reconnaître les styles : le style Louis XIII
Year: 1920 (1920s)
Authors: Bayard, Emile, 1868-1937
Subjects: Decoration and ornament Art, French Art
Publisher: Paris : Garnier frères
Contributing Library: Harold B. Lee Library
Digitizing Sponsor: Brigham Young University

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Text Appearing Before Image:
ipe initial dans celle de Louis XIII Mais combien tous ces fauteuils, tables, cabinets,armoires, etc., ont pris du corps, davantage de tour-nure et déclat, de variété aussi ! Quelle richesse afait place à la sobriété! Quelle profusion de détailsau lieu de la précédente mesure ! Et puis, le geste hier contraint, sest élargi, donnantau bras du fauteuil, à son siège, à son dossier, plusde développement. Quest devenue encore lunitédes tissus, si frappante auparavant? Les grands ra-mages maintenant convertis en larges rinceaux auxcouleurs ardentes, vont chanter sur ces velours, surces satins, sur ces soies. Les emblèmes de ia force etde la gloire, des cornes dabondance, des armes, destrophées toujours un peu lourds, cependant, varie- LES STYLES APRÈS LOUIS XIII 215 ront originalement les ornements de la Renaissance,môles de goût flamand et italien, chers au Louis XIII.En un mot, sous Louis XIV, le décor ne sera plusprisonnier des entrelacs; les fruits et les fleurs en-
Text Appearing After Image:
Fig. 136. — Une « ruelle», sous Louis XIII, gravure originaledAbraham Bosse. guirlandes prendront plus de liberté et de finesse,les guirlandes seront moins exclusives aussi, et les-prit de la moulure architecturale enfin, sera classique;rais de cœur, oves, denticules, postes, etc. Sanscompter que la panse des balustres et supports desmeubles samincira. Point de souplesse maintenant, la ligne demeure 216 LE STYLE LOUIS XIII encore rigide; point encore de confort ni dintimité,lhomme na pensé quà lui, il est imposant commeson décor. Grands appartements; perspectives à pertede vue; escaliers aux degrés habilement ménagés,de même que les terrasses, à un piédestal symbolique,à un effet constant. Le siècle de Louis XIV est lesiècle de paraître et du joug auquel les arbres eux-mêmes, impitoyablement taillés, sont assujettis. Quest devenue la pénombre où lon devinait, plusquon ne les voyait, les tableaux du Poussin, de Ph.de Champaigne, les tentures de cuir de Cordoue,

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  • bookid:lartdereconnatre00baya
  • bookyear:1920
  • bookdecade:1920
  • bookcentury:1900
  • bookauthor:Bayard__Emile__1868_1937
  • booksubject:Decoration_and_ornament
  • booksubject:Art__French
  • booksubject:Art
  • bookpublisher:Paris___Garnier_fr__res
  • bookcontributor:Harold_B__Lee_Library
  • booksponsor:Brigham_Young_University
  • bookleafnumber:226
  • bookcollection:brigham_young_university
  • bookcollection:americana
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28 July 2014
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