File:L'art de reconnaître les styles - le style Louis XIII (1920) (14584410290).jpg

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Identifier: lartdereconnatre00baya (find matches)
Title: L'art de reconnaître les styles : le style Louis XIII
Year: 1920 (1920s)
Authors: Bayard, Emile, 1868-1937
Subjects: Decoration and ornament Art, French Art
Publisher: Paris : Garnier frères
Contributing Library: Harold B. Lee Library
Digitizing Sponsor: Brigham Young University

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Text Appearing Before Image:
as moins acquis, cepen-dant, que labondance des meubles et leur faculté por-tative ne date que du xvine siècle. Mais passons à lexamen du cabinet (fig. 98 et 131).Grâce à son importance, le cabinet qui succéda audressoir dans la chambre a persisté avantageusementdans les collections, jusquà nos jours. Décrivons-en quelques-uns. Voici un cabinet enbois de cèdre, orné, sur sa façade, de huit colonnesdu même bois, à bases et chapiteaux dordre corin-thien, dorés. Sur le milieu, une niche où figure la sta-tue équestre de Henri IV, foulant aux pieds ses enne-mis. En voici un autre en bois du Brésil, à comparti-ments divoire « ayant vingt et un tiroirs enfermés pardeux battants, ornés de six pilastres débène cannelés,de trois médaillons à fleurs de lis et des chiffres deLouis XIII portés sur des pieds à quatre colonnes go- larchitecture intérieure 161 dronnées ». Citons encore des cabinets en bois débcneavec filets détain, ou ornés de moulures à ondes (les
Text Appearing After Image:
HHB» Fio. 98. — Cabinet en ébène (Palais de Fontainebleau), moulures à ondes sont typiques, voir celles de laglace de la figure 127), des cabinets en nacre de perleavec des ornements en filigrane dargent ou despeintures; des cabinets — ceux-ci plus près de 11 162 LE STYLE LOUIS XIII Tépoque de Louis XIV, où ces meubles furent encoreen usage — décorés de marqueterie de cuivre etdétain sur fond décaillé \ etc. Dans notre énumération, forcément restreint., dumeuble sous Louis XIII, pour les raisons précédem-ment données, nous en arrivons à larmoire. Sous la Renaissance, larmoire abdiqua les formescarrées et massives de lancien meuble de ce nom,dont lénorme caisse dressée contre la muraille avecses vantaux garnis de pentures et autres ferrures ré-barbatives, avait des allures de portes de cathédrale.Aussi bien, dans tout lexvie siècle, les formes commeles décors sont dune grâce et dune fantaisie raffi-nées; cest ainsi que larmoire Renaissance, à deuxcorp

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  • bookid:lartdereconnatre00baya
  • bookyear:1920
  • bookdecade:1920
  • bookcentury:1900
  • bookauthor:Bayard__Emile__1868_1937
  • booksubject:Decoration_and_ornament
  • booksubject:Art__French
  • booksubject:Art
  • bookpublisher:Paris___Garnier_fr__res
  • bookcontributor:Harold_B__Lee_Library
  • booksponsor:Brigham_Young_University
  • bookleafnumber:172
  • bookcollection:brigham_young_university
  • bookcollection:americana
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28 July 2014
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