File:L'art de reconnaître les styles - le style Louis XIII (1920) (14584345890).jpg

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Identifier: lartdereconnatre00baya (find matches)
Title: L'art de reconnaître les styles : le style Louis XIII
Year: 1920 (1920s)
Authors: Bayard, Emile, 1868-1937
Subjects: Decoration and ornament Art, French Art
Publisher: Paris : Garnier frères
Contributing Library: Harold B. Lee Library
Digitizing Sponsor: Brigham Young University

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dômesoutenu souvent par un troisième ordre. A lintérieur,maintenant, on supprime le triforium ou galerierégnant au pourtour, et laspect des voûtes est aussimodifié. Bref, nous assistons à un renouveau dailleursregrettable pour notre réputation doriginalité, descorniches, ordres, frontons, entablements, etc. Ceretour à lantiquité, déjà indiqué parla substitutiondes ailerons aux arcs-boutants de lart ogival, préci-pitera peu à peu nos architectes dans une traditionstérile, et Debrosse marquera tout son mépris, déjà,de notre admirable conception gothique, en nhési-tant pas à donner à léglise de Saint-Gervais, à Paris(fig. 55), bâtie dans la dernière période du style ogi-val, un portail grec. Aussi bien, répétons le, nétaitlintelligence des détails ornementaux propres àchaque style, moulures et boiseries, ce style jésuitedimportation italienne, genre Renaissance, dont on L ARCHITECTURE EXTÉRIEURE t)5 peut voir dautres exemples à Paris (les églises des
Text Appearing After Image:
ai •«« Carmes rue de Vaugirard, et Saint-Louis, aujour- 1.I/église des Carmes fut coiffée du premier dôme à litalienne,imité lui-même des dômes des anciennes basiliques dOrient duvr siècle. Quant à léglise Saint-Louis, elle est un des exemples 5 G0> LE STYLE LOUIS XIII d hui Saint-Paul, cette dernière due aux plans deE. Martellange et de P. Derand) est pour ainsi direimpersonnel dans les époques Louis XIII et Louis XIVoù il fut innové. Pareillement, si nous nous occupons de larchitec-ture civile intérieure, nous voyons que les change-ments et améliorations survenus, concernent à lafois tout le xvne siècle. Les avantages du progrès,néanmoins, étant acquis au règne de Louis XIV, quitouche, dans sa fin, aux premières années duxvme siècle, où naîtra le confort. A lépoque de Louis XIII, naturellement, le béné-fice des premières réformes: cest ainsi que ridéedes grandes salles, succédant à lunique salle deschâteaux du moyen âge, appartient en prop

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https://www.flickr.com/photos/internetarchivebookimages/14584345890/

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Flickr tags
InfoField
  • bookid:lartdereconnatre00baya
  • bookyear:1920
  • bookdecade:1920
  • bookcentury:1900
  • bookauthor:Bayard__Emile__1868_1937
  • booksubject:Decoration_and_ornament
  • booksubject:Art__French
  • booksubject:Art
  • bookpublisher:Paris___Garnier_fr__res
  • bookcontributor:Harold_B__Lee_Library
  • booksponsor:Brigham_Young_University
  • bookleafnumber:76
  • bookcollection:brigham_young_university
  • bookcollection:americana
Flickr posted date
InfoField
28 July 2014
Notes
InfoField
Title photographe: Vue perspective des arcades de la place des Vosges (Paris).



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current05:55, 29 September 2015Thumbnail for version as of 05:55, 29 September 20152,464 × 1,748 (657 KB)SteinsplitterBot (talk | contribs)Bot: Image rotated by 90°
05:38, 29 September 2015Thumbnail for version as of 05:38, 29 September 20151,748 × 2,472 (658 KB) (talk | contribs)== {{int:filedesc}} == {{information |description={{en|1=<br> '''Identifier''': lartdereconnatre00baya ([https://commons.wikimedia.org/w/index.php?title=Special%3ASearch&profile=default&fulltext=Search&search=insource%3A%2Flartdereconnatre00baya%2F fin...

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