File:Komposition in Halbtönen, Theo van Doesburg, 1928.jpg
![File:Komposition in Halbtönen, Theo van Doesburg, 1928.jpg](https://upload.wikimedia.org/wikipedia/commons/thumb/a/a2/Komposition_in_Halbt%C3%B6nen%2C_Theo_van_Doesburg%2C_1928.jpg/600px-Komposition_in_Halbt%C3%B6nen%2C_Theo_van_Doesburg%2C_1928.jpg?20171018195502)
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Captions
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Summary
[edit]Theo van Doesburg: Composition in Half-Tones
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Artist |
artist QS:P170,Q160422 |
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Object type |
painting ![]() |
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Description |
Deutsch: Composition in Half-Tones
Composition en demi-valeurs Öl auf Leinwand50 x 50 cmMonogrammiert und datiert am unteren Bildrand links: TH.v.D. / 1928.; rückwärtig in Schablonenschrift auf dem Keilrahmen: "THEO VAN DOESBURG / COMPOSITION / EN DEMI VALEURS"; mit dem Pinsel auf der Leinwand signiert und datiert: Theo v. Doesburg / 1928 [unterstrichen] ParisKunstmuseum Basel, Schenkung Hans Arp 1966Inv. G 1966.10 Zwei Entwurfszeichnungen im Kröller-Müller Museum in Otterlo und eine im Centraal Museum in Utrecht, sowie zwei Fotografien des Werks im unfertigen Zustand illustrieren den Entwicklungsgang dieses Gemäldes (vgl. Abb. in Hoek 2000, S. 497–498). Einer dieser Entwürfe ist unterschrieben mit "XXIII / Comp. avec dégrad." (Hoek 2000, S. 498, Kat. 823a), was Hoek zur Annahme führt, dass Van Doesburg das Basler Werk ursprünglich "Composition XXIII avec dégradation" nannte, so wie es auch in mehreren früheren Publikationen genannt wird (u. a. Ausst.-Kat. Nürnberg/Basel 1969, Polano 1979). "Dégradation" bezieht sich gemäss Hoek 2000, S. 497, auf die graduelle Farbreduktion in den Farbflächen unten links und oben rechts, wie sie auf den Entwurfszeichnungen und auf Fotografien von früheren Zuständen des Gemäldes noch erkennbar ist, während es sich hier um ebenmässig verteilte Farbflächen handelt. |
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Date |
1928 date QS:P571,+1928-00-00T00:00:00Z/9 |
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Medium |
oil on canvas ![]() |
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Dimensions |
height: 50 cm (19.6 in) ![]() ![]() dimensions QS:P2048,+50U174728 dimensions QS:P2049,+50U174728 |
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Collection |
institution QS:P195,Q194626 |
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Accession number |
G 1966.10 (Kunstmuseum Basel) ![]() |
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Source/Photographer | http://sammlungonline.kunstmuseumbasel.ch/eMuseumPlus?service=ExternalInterface&module=collection&objectId=2012&viewType=detailView |
Licensing
[edit]Public domainPublic domainfalsefalse |
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The author died in 1931, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 80 years or fewer. ![]() Note that a few countries have copyright terms longer than 80 years: Mexico has 100 years and Jamaica has 95 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. |
This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights. |
https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse
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current | 19:55, 18 October 2017 | ![]() | 5,179 × 5,176 (4.97 MB) | Hannolans (talk | contribs) | User created page with UploadWizard |
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Metadata
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Credit/Provider | Kunstmuseum Basel, Martin P. Bühler |
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Headline | Theo van Doesburg; Komposition in Halbtönen; 1928 |
Source | Kunstmuseum Basel- Schenkung Hans Arp |
Image title |
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Width | 5,951 px |
Height | 5,426 px |
Bits per component |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Orientation | Normal |
Number of components | 3 |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Data arrangement | chunky format |
Software used | Adobe Photoshop CS5 Windows |
File change date and time | 10:17, 26 December 2012 |
Exif version | 2.2 |
Date and time of digitizing | 13:18, 16 October 2012 |
Color space | sRGB |
Image width | 5,179 px |
Image height | 5,176 px |
Date metadata was last modified | 12:28, 15 September 2017 |
Unique ID of original document | xmp.did:DA447EC509206811822A88610CA70932 |
IIM version | 4 |