File:Kiel Martin as J. D. LaRue.png

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Original file (2,198 × 2,712 pixels, file size: 5.48 MB, MIME type: image/png)

Captions

Captions

Kiel Martin as J. D. LaRue in a publicity photo for the series "Hill Street Blues"

Summary

[edit]
Description
English: Text on back of photo: "MARILYN BECK PHOTO KIEL MARTIN 4/17/82"
Date
Source Scanned from a 1982 publicity still in possession of the uploader. Front and back.
Author Marilyn Beck
Permission
(Reusing this file)
English: This is a publicity still taken and publicly distributed to promote the subject or a work relating to the subject.
  • As stated by film production expert Eve Light Honathaner in The Complete Film Production Handbook (Focal Press, 2001, p. 211.):
    "Publicity photos (star headshots) have traditionally not been copyrighted. Since they are disseminated to the public, they are generally considered public domain, and therefore clearance by the studio that produced them is not necessary."
  • Nancy Wolff, in The Professional Photographer's Legal Handbook (Allworth Communications, 2007, p. 55.), notes:
    "There is a vast body of photographs, including but not limited to publicity stills, that have no notice as to who may have created them."
  • Film industry author Gerald Mast, in Film Study and the Copyright Law (1989, p. 87), writes:
    "According to the old copyright act, such production stills were not automatically copyrighted as part of the film and required separate copyrights as photographic stills. The new copyright act similarly excludes the production still from automatic copyright but gives the film's copyright owner a five-year period in which to copyright the stills. Most studios have never bothered to copyright these stills because they were happy to see them pass into the public domain, to be used by as many people in as many publications as possible."
  • Kristin Thompson, committee chairperson of the Society for Cinema and Media Studies writes in the conclusion of a 1993 conference of cinema scholars and editors[1], that:
    "[The conference] expressed the opinion that it is not necessary for authors to request permission to reproduce frame enlargements... [and] some trade presses that publish educational and scholarly film books also take the position that permission is not necessary for reproducing frame enlargements and publicity photographs."
Other versions

Licensing

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Public domain
This work is in the public domain because it was published in the United States between 1978 and March 1, 1989 without a copyright notice, and its copyright was not subsequently registered with the U.S. Copyright Office within 5 years.

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File history

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Date/TimeThumbnailDimensionsUserComment
current22:26, 29 March 2024Thumbnail for version as of 22:26, 29 March 20242,198 × 2,712 (5.48 MB)VanessaShelbourne (talk | contribs)Uploaded a work by Marilyn Beck from Scanned from a 1982 publicity still in possession of the uploader. with UploadWizard

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