File:Kernstok Riders 1912.jpg
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Captions
Summary
[edit]Károly Kernstok: Riders ( ) | ||||||||||||||||||||||||
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Artist |
artist QS:P170,Q556067 |
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Title |
Riders |
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Date |
1912 date QS:P571,+1912-00-00T00:00:00Z/9 |
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Medium |
ink wash medium QS:P186,Q756712 |
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Dimensions |
height: 22.4 cm (8.8 in); width: 38.8 cm (15.2 in) dimensions QS:P2048,22.4U174728 dimensions QS:P2049,38.8U174728 |
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Collection |
institution QS:P195,Q252071 |
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Source/Photographer | Fine Arts in Hungary: | |||||||||||||||||||||||
Permission (Reusing this file) |
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current | 17:13, 3 March 2012 | 898 × 490 (150 KB) | Csanády (talk | contribs) | == {{int:filedesc}} == {{Artwork |artist={{Creator:Károly Kernstok}} |title={{LangSwitch |en=''Riders'' |hu=''Lovasok'' }} |description= |date=1912 |medium={{Technique|ink wash}} |dimensions={{Size|unit=cm|width=38.8|height=22.4}} |institution={... |
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Metadata
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JPEG file comment | KERNSTOK Károly
(1873, Budapest - 1940, Budapest) Lovasok 1912 Lavirozott tus, 22,4 x 38,8 cm Magyar Nemzeti Galéria, Budapest Kernstok Károly a Cézanne-t követõ magyar avantgarde elsõ szervezett mûvészcsoportjának, a Nyolcaknak volt vezéregyénisége. Új törekvésük szimbolikus erejû megfogalmazásaként, mintegy programadóként festette meg 1910-ben a Lovasok a vízparton címû képét. A festmény figuráinak leegyszerûsítõ stilizálásával szemben ez a két évvel késõbb készült Lovasok címû tusrajz könnyedebb, egységesebb. A festõ egyenletes képkitöltéssel, dinamikus vonalvezetéssel valósította meg a lovasok és a Duna-parti táj harmonikus ábrázolását. Kernstok számtalan rajzán variálta az akt és a ló motívumát. A természetbõl kiinduló, de az egyszeri látványon messze túllépõ vázlatoknak legsikeresebbje ez a mû, melyet rézkarcvariációban is sokszorosított. KERNSTOK, Károly (1873, Budapest - 1940, Budapest) Riders 1912 India ink and wash, 22,4 x 38,8 cm Hungarian National Gallery, Budapest Károly Kernstok was a leader of The Eight, the first organized artists' group of the Hungarian avant-garde, who followed in Cézanne's footsteps. He painted Riders on the Shore in 1910 as a symbolic summary of the group's strivings, intending it be the summary of their mainfesto on art. "Riders", drawn in ink two years later, is much more light-handed and balanced than the stylized, simplified figures of the oil composition. The dynamic drawing evenly fills out the picture, thus providing a harmonious rendering of riders and landscape. The motif of the riding nude was depicted by Kernstok innumerably. This india ink and wash drawing is the most successful summary of these sketches, which originate from nature, but always go beyond the particular image. A copper-plate version of this drawing is also known. Type: nude Time-line: 1901-1925 Form: graphics |
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