File:Jules Adolphe Aimé Louis Breton - Returning from the Fields - Walters 3758.jpg
Original file (1,800 × 1,192 pixels, file size: 2.79 MB, MIME type: image/jpeg)
Captions
Summary
[edit]Jules Breton: Returning from the Fields | |||||||||||||||||||||||||
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Artist |
artist QS:P170,Q282043 |
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Title |
Returning from the Fields |
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Object type | painting | ||||||||||||||||||||||||
Description |
English: Although often associated with the Barbizon school, Breton favored a more idealized treatment of his subjects and a more polished style of painting. In this rural scene, probably set in the artist's native Pas-de-Calais, north of Paris, three young women return from the fields at dusk. Their idealized forms contrast markedly with the harshness of Millet's depictions of peasant life. |
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Date |
1871 date QS:P571,+1871-00-00T00:00:00Z/9 |
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Medium |
oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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Dimensions |
height: 69.5 cm (27.3 in); width: 104 cm (40.9 in) dimensions QS:P2048,69.5U174728 dimensions QS:P2049,104U174728 Framed H with build-up: height: 107.3 cm (42.2 in); width: 142.2 cm (56 in); depth: 17.1 cm (6.7 in) dimensions QS:P2048,107.32U174728 dimensions QS:P2049,142.24U174728 dimensions QS:P5524,17.15U174728 |
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Collection |
institution QS:P195,Q210081 |
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Accession number |
37.58 |
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Place of creation | France | ||||||||||||||||||||||||
Object history |
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Exhibition history | Jules Breton and the French Rural Tradition. The Dixon Gallery and Gardens, Memphis; The Sterling and Francine Clark Art Institute, Williamstown; Joslyn Art Museum, Omaha. 1982-1983. Redefining Genre: French and American Painting 1850-1900. The Dixon Gallery and Gardens, Memphis; Society of the Four Arts, Palm Beach; Santa Barbara Museum of Art, Santa Barbara; Meridian International Center, Washington. 1995-1996. Botanical Delights: Floral Motifs in 19th-Century Art. Strathmore Hall Art Center, North Bethesda; Academy of the Arts, Easton, Easton; Government House, Annapolis. 1998-1999. Triumph of French Painting: Masterpieces from Ingres to Matisse. Baltimore Museum of Art, Baltimore; Philbrook Museum of Art, Tulsa; Norton Museum of Art, West Palm Beach; Royal Academy of Arts, London; Albright-Knox Art Gallery, Buffalo; Dayton Art Institute, Dayton. 2000-2002. A Magnificent Age: Masterpieces from the Walters Art Museum, Baltimore. The Nelson-Atkins Museum of Art, Kansas City; Mint Museum of Art, Charlotte; The Walters Art Museum, Baltimore. 2002-2004. The Road to Impressionism: Landscapes from Corot to Manet. The Walters Art Museum, Baltimore. 2004-2005. The Road to Impressionism: Barbizon Landscapes from the Walters Art Museum. The Dixon Gallery and Gardens, Memphis; The Frick Art & Historical Center, Pittsburgh. 2008-2009. 19th Century Masterpieces from the Walters Art Museum. Santa Barbara Museum of Art, Santa Barbara; Jack S. Blanton Museum of Art, Austin. 2010-2011. A Discerning Eye: Nineteenth-century Drawings and Watercolors. Academy of the Arts, Easton, Easton. 1998-1999. | ||||||||||||||||||||||||
Credit line | Acquired by William T. Walters, 1886 | ||||||||||||||||||||||||
Inscriptions |
Signature and date bottom right: Jules Breton 1871
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References | Walters Art Museum artwork ID: 10573 | ||||||||||||||||||||||||
Source | Walters Art Museum: Home page Info about artwork | ||||||||||||||||||||||||
Permission (Reusing this file) |
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Licensing
[edit]This file was provided to Wikimedia Commons by the Walters Art Museum as part of a cooperation project. All artworks in the photographs are in public domain due to age. The photographs of two-dimensional objects are also in the public domain. Photographs of three-dimensional objects and all descriptions have been released under the Creative Commons Attribution-Share Alike 3.0 Unported License and the GNU Free Documentation License.
In the case of the text descriptions, copyright restrictions only apply to longer descriptions which cross the threshold of originality.
العربيَّة | English | français | italiano | македонски | русский | sicilianu | +/− |
This is a faithful photographic reproduction of an original two-dimensional work of art. The work of art itself is in the public domain for the following reason:
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In many jurisdictions, faithful reproductions of two-dimensional public domain works of art are not copyrightable. The Wikimedia Foundation's position is that these works are not copyrightable in the United States (see Commons:Reuse of PD-Art photographs). In these jurisdictions, this work is actually in the public domain and the requirements of the digital reproduction's license are not compulsory. |
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current | 22:31, 21 March 2012 | 1,800 × 1,192 (2.79 MB) | File Upload Bot (Kaldari) (talk | contribs) | == {{int:filedesc}} == {{Walters Art Museum artwork |artist = {{Creator:Jules Breton}} |title = ''Returning from the Fields'' |description = {{en|Although often associated with the Barbizon school, Breton favored a more ideali... |
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Structured data
Items portrayed in this file
depicts
- Paintings by Jules Breton
- 1871 paintings by Jules Breton
- Females in nature in art
- Groups of women
- Female humans with flowers in art
- Social skills in art
- Human head tilting in art
- People listening in art
- People with flowers
- Paintings of females with kerchiefs
- French paintings in the Walters Art Museum
- 1870s paintings from France
- 1871 paintings
- Return from the fields in art
- Objects with inscriptions (language unspecified)
- Items with VRTS permission confirmed
- Artworks with known accession number
- Artworks with Wikidata item
- Artworks with Wikidata item missing genre
- Artworks digital representation of 2D work
- Media contributed by the Walters Art Museum with wikidata item
- CC-PD-Mark
- PD-author
- PD-Art (PD-old-100)
- Media contributed by the Walters Art Museum