File:Jacob ferdinand voet (attr.), ritratto di ortensia mancini, duchessa di mazzarino, 1676-80.JPG
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Original file (2,132 × 2,624 pixels, file size: 3.53 MB, MIME type: image/jpeg)
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Structured data
Captions
Summary
Object
Jacob Ferdinand Voet: Hortense Mancini ( ) | |||||||||||||||||||||||||||
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Artist |
artist QS:P170,Q1990598 |
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Title |
Hortense Mancini |
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Object type |
painting object_type QS:P31,Q3305213 |
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Description |
English: Voet has painted Ortensia Mancini and her sister Maria several times. A comparison of this portrait with other paintings of the 2 sisters Ortensia and Maria shows, that this must be a portrait of Maria Mancini, and not of Ortensia (as stated in the museum display captation). Very similar to this image is a more private portrait by Voet of Maria Mancini "as Cleopatra" (in Berlin, Staatliche Museen) with one of those 'undecent' decolletés, because of which Voet was later exiled from Rome.
Deutsch: Voet hat Ortensia Mancini und ihre Schwester Maria häufiger gemalt. Ein Vergleich anderer Porträts der beiden Schwestern mit diesem zeigt, dass es sich hier in Wahrheit um Maria Mancini handeln muss, nicht um Ortensia. Diesem Bilde besonders ähnlich, und wohl als privateres Gegenstück gedacht, ist Voets Gemälde "Maria Mancini als Kleopatra" (in Berlin, Staatliche Museen), auf dem er sie mit einem jener "unschicklichen" Dekolletés malte, deretwegen er später vom Papst aus Rom verbannt wurde.
Italiano: Il Voet a fatto varii quadri delle due sorelle Ortensia e Maria Mancini. Un paragone di questo ritratto con le altre mostra che non vediamo qui Ortensia, ma in realtà Maria Mancini. Vedete per esempio il ritratto "Maria Mancini come Cleopatra" (Berlino, Staatliche Museen) - che è una sorta di pendant più privato.
Français : Voet a peint les deux soeurs Hortense et Marie Mancini plusieurs foix. Une comparaison de tous ces portraits démontre que le sujet de cet image n'est pas Hortense, mais en realité Marie Mancini. Particulièrement similaire, et une sorte de pendant plus privé, est le Portrait "Marie Mancini comme Cléopatre" (Berlin, Staatliche Museen). |
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Date | circa 1676-1680 | ||||||||||||||||||||||||||
Medium |
oil medium QS:P186,Q296955 |
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Collection |
institution QS:P195,Q3905124 |
Photograph
Date | |
Source | Own work |
Author | Sailko |
Permission (Reusing this file) |
I, the copyright holder of this work, hereby publish it under the following license: This file is licensed under the Creative Commons Attribution 3.0 Unported license.
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Other versions |
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This file has an extracted image: Jacob Ferdinand Voet (attr) Ritratto di Ortensia Mancini Duchessa di Mazzarino 1676-80 retusche.jpg. |
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 11:47, 4 May 2016 | 2,132 × 2,624 (3.53 MB) | Sailko (talk | contribs) | User created page with UploadWizard |
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File usage on Commons
The following 4 pages use this file:
- File:Jacob Ferdinand Voet (attr) Ritratto di Ortensia Mancini Duchessa di Mazzarino 1676-80 retusche.jpg
- File:Jacob ferdinand voet (attr.), ritratto di ortensia mancini, duchessa di mazzarino, 1676-80.JPG
- File:Jacob ferdinand voet (attr.), ritratto di ortensia mancini, duchessa di mazzarino, 1676-80 (retuschiert).jpg
- File:Jacob ferdinand voet (attr.), ritratto di ortensia mancini, duchessa di mazzarino, 1676-80 (retuschiert 2).jpg
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Camera manufacturer | Canon |
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Camera model | Canon EOS 700D |
Exposure time | 1/30 sec (0.033333333333333) |
F-number | f/3.5 |
ISO speed rating | 1,000 |
Date and time of data generation | 12:14, 27 January 2016 |
Lens focal length | 20 mm |
Orientation | Normal |
Horizontal resolution | 72 dpi |
Vertical resolution | 72 dpi |
Software used | Adobe Photoshop CS4 Windows |
File change date and time | 22:20, 4 April 2016 |
Y and C positioning | Co-sited |
Exposure Program | Not defined |
Exif version | 2.3 |
Date and time of digitizing | 12:14, 27 January 2016 |
Meaning of each component |
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APEX shutter speed | 5 |
APEX aperture | 3.625 |
APEX exposure bias | 0 |
Metering mode | Pattern |
Flash | Flash did not fire, compulsory flash suppression |
DateTime subseconds | 23 |
DateTimeOriginal subseconds | 23 |
DateTimeDigitized subseconds | 23 |
Supported Flashpix version | 1 |
Color space | sRGB |
Focal plane X resolution | 3,859.2964824121 |
Focal plane Y resolution | 3,865.7718120805 |
Focal plane resolution unit | inches |
GPS tag version | 0.0.3.2 |
Supported Flashpix version | 1 |
Image width | 2,132 px |
Image height | 2,624 px |
Rating (out of 5) | 0 |
Date metadata was last modified | 00:20, 5 April 2016 |
Unique ID of original document | xmp.did:24AA58A6A2FAE5118272904DD11A7614 |
IIM version | 111 |
Structured data
Items portrayed in this file
depicts
0.03333333333333333333 second
3.5
20 millimetre
1,000
image/jpeg
Categories:
- 17th-century oil portraits of women at half length
- Female portrait paintings by Jacob Ferdinand Voet
- 17th-century portrait paintings in the Pinacoteca del Castello Sforzesco
- 1670s paintings in Italy
- 1670s portrait paintings of women
- Portrait paintings of Marie Mancini
- Ribbon loop trim
- Gros point de Venise in art
- Hurluberlu