File:ITA 1925 MiNr0225 pm B002a.jpg

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Description

Stamp of the Kingdom of Italy; 1922; definitive stamp of the so-called "Michetti-issue - second series" (from 1908) in new colors; portrait of King Victor Emmanuel III of Italy with view to left after a painting of Francesco Paolo Michetti (in lateral mirroring) with the coat of arms of Savoy in the upper left corner; print type normal standard; upper inscription in positive colors with colored characters on white background; postmarked
Stamp: Michel: No. 225; Yvert & Tellier: No. 143
Color: orange to brownish orange
Watermark: Italy No. 1 (crown)
Nominal value: 20 Cent. (Centesimi)

Postage validity: from March 1925 until 31 December 1925
date QS:P,+1925-00-00T00:00:00Z/9,P580,+1925-03-00T00:00:00Z/10,P582,+1925-12-31T00:00:00Z/11

Stamp picture size (printed area): 18.0 x 22.5 mm
Date
Source scan of original
Author Poste del Regno d'Italia (Post of the government of Italy)
Permission
(Reusing this file)

{{PD-Italy}} does not apply to Italian stamps: the designer's death year of 1929 and the engraver's death year is unknown

Public domain

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Picture description Effigy of King Victor Emmanuel III of Italy with view to left, after a detail from a painting of Francesco Paolo Michetti in lateral mirroring; without water-drawing and with the coat of arms of Savoy in the upper left picture corner
First day of issue
Publisher Poste del Regno d'Italia (Post of the government of Italy)
Design Francesco Paolo Michetti (1851-1929) (design)

Alberto Repettati (engraving)

Printer "Officina Carte Valori", Turin
Printing technique Letterpress printing
Circulation ?
Perforation Line or comb perforation, L 14 or K 14
MICHEL Nr. Italien, Nr. 225

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current20:21, 18 September 2017Thumbnail for version as of 20:21, 18 September 2017507 × 604 (160 KB)Katharinaiv (talk | contribs){{Information |Description=Stamp of the Kingdom of Italy; 1922; definitive stamp of the so-called "Michetti-issue - second series" (from 1908) in new colors; portrait of King Victor Emmanuel III of Italy with...

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