File:Hodogaya 保土ヶ谷 (BM 2008,3037.04305).jpg

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Utagawa Kuniyoshi: Q106534999  wikidata:Q106534999 reasonator:Q106534999
Artist
Print artist:
Utagawa Kuniyoshi  (1798–1861)  wikidata:Q317736
 
Utagawa Kuniyoshi
Alternative names
Ichiyusai
Description Japanese ukiyo-e artist, painter and printmaker
Date of birth/death 1 January 1798 Edit this at Wikidata 14 April 1861 Edit this at Wikidata
Location of birth/death Nihonbashi Edit this at Wikidata Edo, today Tokyo
Work period 1814 Edit this at Wikidata–
Work location
Edo, today Tokyo
Authority file
artist QS:P170,Q317736
image of artwork listed in title parameter on this page
Title
Hodogaya 保土ヶ谷
Series title Fifty-three pairings along the Tokaido Road Edit this at Wikidata
Publisher
Ebiya Rinnosuke Edit this at Wikidata
Object type woodcut print Edit this at Wikidata
Genre ukiyo-e Edit this at Wikidata
Description
English: Woodblock print, oban tate-e. Hodogaya Station. Yura Hyogo seated on a stool and attended by his wife Minato, watching a dance executed by Shinozuka Hachiro.
日本語: 一勇齋國芳画「東海道五十三對」より『保土ケ谷』、海老屋林之助版、大判錦絵
“足利基氏 竹沢右京亮とはかりて義興を討んことを談ず また竹沢江戸遠江守をかたらひ 両人鎌倉を背きたるよしにて偽り 竟（つひ）に矢口の渡口にて義興を亡ぼす 篠塚八郎此よしを注進して由良兵庫に知らする“
『神霊矢口渡』の二段目切「新田館の段」を基とした錦絵。矢口の渡しで戦死した新田義興について家臣の由良兵庫へ注進する篠塚八郎を描く。
Date circa 1845
date QS:P571,+1845-00-00T00:00:00Z/9,P1480,Q5727902
Medium paper
Dimensions Height: 36.90 centimetres Width: 25.40 centimetres
institution QS:P195,Q6373
Current location
Asia
Accession number
2008,3037.04305
Inscriptions
  • 「足利基氏 竹沢右京亮とはかりて義興を討んことを談ず また竹沢江戸遠江守をかたらひ 両人鎌倉を背きたるよしにて偽り 竟（つひ）に矢口の渡口にて義興を亡ぼす 篠塚八郎此よしを注進して由良兵庫に知らする Edit this at Wikidata」
Notes See:- Robinson 1982, S44 no. 5
Source/Photographer https://www.britishmuseum.org/collection/object/A_2008-3037-04305
Permission
(Reusing this file)		 © The Trustees of the British Museum, released as CC BY-NC-SA 4.0
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Licensing

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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain in its source country for the following reason:
Public domain
According to Japanese Copyright Law (June 1, 2018 grant) the copyright on this work has expired and is as such public domain. According to articles 51, 52, 53 and 57 of the copyright laws of Japan, under the jurisdiction of the Government of Japan works enter the public domain 50 years after the death of the creator (there being multiple creators, the creator who dies last) or 50 years after publication for anonymous or pseudonymous authors or for works whose copyright holder is an organization.

Note: The enforcement of the revised Copyright Act on December 30, 2018 extended the copyright term of works whose copyright was valid on that day to 70 years. Do not use this template for works of the copyright holders who died after 1967.

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It is also in the public domain in the United States for the following reason:
Public domain

The author died in 1861, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

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