File:Hendrik van II Steenwijck - Daniël I Mijtens, Charles I af England som Prince of Wales, , KMSsp184, Statens Museum for Kunst.jpg

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Summary

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Hendrik van Steenwijk II: Charles I (1600-1649) when Prince of Wales  wikidata:Q20437780 reasonator:Q20437780
Artist

Hendrik van II Steenwijck

Q655535
image of artwork listed in title parameter on this page
Title
Danish:
Charles I af England som Prince of Wales
title QS:P1476,da:"Charles I af England som Prince of Wales"
label QS:Lda,"Charles I af England som Prince of Wales"
Object type painting
object_type QS:P31,Q3305213
Genre portrait Edit this at Wikidata
Description
Dansk: Charles I af England som Prince of Wales
Dansk: Karl I af England (1600-1649) som prins af Wales
  • Dansk: Ifgl. Steffen Heiberg, Frederiksborg, er billedet ikke malet af von Somer, og det fremstiller Charles I's bror, prinsen af Wales. Spengler Anfører, at billedet i Frederiksborgs inventar er opført som portræt af Charles I malet af Hans HOlbein. Billedet har siden været angivet at fremstille Charles, men der har rejst sig tvivl, om det ikke skulle fremstille hans broder Henry. Toynbee har dog opdaget monogrammet C.P på læsepulten (se brevarkiv). Billedet synes på dette sted urørt.
Depicted people Charles I of England Edit this at Wikidata
Date between 1619 and 1621
date QS:P,+1650-00-00T00:00:00Z/7,P1319,+1619-00-00T00:00:00Z/9,P1326,+1621-00-00T00:00:00Z/9
 Edit this at Wikidata
Medium
Dansk: Olie på lærred. Baldakinen er malet på bladguld.
Dimensions height: 2,220 mm (87.40 in); width: 1,745 mm (68.70 in)
dimensions QS:P2048,2220.0U174789
dimensions QS:P2049,1745.0U174789
institution QS:P195,Q671384
Accession number
KMSsp184
Object history
  • Dansk: Placeringshistorie:

- 1650: eventuelt nævnt i Frederiksborg Slots inventarium af 1650 p. 151. Trykt af A. Pedersen i Danske Samlinger II, 1866-67 (se dog tillige KMSsp372 Daniel Mytens: Charles I af England som Prins af Wales) - 1775: til Frederiksborg Riddersal - 1827: tilkommet fra Frederiksborg - 1946: Rumpsalen - 1953, aug.: deponeret på Kronborg aug. 1953

- 1982, 9. juni: Sølvgade
Exhibition history
  • Christian IV og Europa : den 19. Europarådsudstilling, Sølvgade, 30 March 1988–25 September 1988
Notes
  • Dansk: Værkdatering: 1619-1621
  • Dansk: dateringen er baseret på et fagligt skøn, se: Koester, 2000, p. 244-45
  • Dansk: Tidligere Inventarnumre:

- Malerier udtagne af Als 1775 til et galleri i Frederiksborgg Slots Riddersal, artikel 5, nr. 2 ("I Holbeins gout") - Kunstkammerets Inventar, tome IV p. 7 nr. 972

Katalognumre: - Spengler nr. 184 (tilskriver billedet til Mytens, men foreslår også Cornelis Jansen) - Cat. 1864 nr. 423 (baggrundens arkitektur og figurens omgivelser malet af H. van Steenwijck d.y.) - Cat. 1875 nr. 341 - Kat. 1904 nr. 325 (angiver fejlagtigt at maleriet kommer fra Fredensborg) - Kat. 1922 nr. 132

- Kat. 1946 nr. 673
  • English: This artwork has several artists:
    • Hendrik van II Steenwijck
    • Daniël I Mijtens
References
  • Alfred von Wurzbach (1906-1911) Niederländisches Künstler-Lexikon: Auf Grund archivalischer Forschungen bearbeitet. I-III, vol. II: p. 638, 1832
  • Olaf Koester (2000) Flemish paintings: 1600 - 1800, p. 242-46, afb. p. 378 fig. 157, 2000-589
  • Christiane von Schultzendorff (1999) Aufstieg und Niedergang des Dilettanten. Zur Darstellung und Bewertung der englischen "dilettanti" in der Malerei und Graphik 1720-1830: Inauguraldissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät der Rheinischen Friedrich-Wilhelms-Universität zu Bonn, p. 59ff, afb. Tavle 53 (s/h) (i bogen tilskrevet Paul van Somers), 2001-035
  • Ulrich Thieme (1907-1950) Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart, vol. XXXI (1937): p. 264, 2124
  • F. Saxl (1969) British art and the mediterranaen: (1948), no. 43.7, 38400
  • Steffen Heiberg (1988) Christian IV og Europa: den 19. Europarådsudstilling, Danmark 1988, Olaf Koester, Christian IV og billedkunstens Europa, p. 329, kat.nr. 1067, afb. (s/h), p. 328 (som Mytens), 88-222
  • Ubekendt (1995) Dynasties: painting in Tudor and Jacobean England 1530-1630, p. 212, nr. 142, afb. farveplanche p. 213. Karen Hearn foreslår, at kunstneren muligvis kan være Abraham van Blyenberch, 95-628
  • Jeremy Howarth (2009) The Steenwyck family as masters of perspective, Afb. kat. nr. II.F.8., C 43288
  • Ubekendt (2006) The Spanish match: Prince Charles's journey to Madrid, 1623, fig. 1, D 39635
  • Richard Cust (2005) Charles I: a political life, ill. i indstik, s.244, D 39656
  • Ubekendt (2009) Tiempo 1609 Ð 2009 paces: la Pax Hispanica y la Tregua de los Doce Años, ill. p. 172, D 43102
  • N.L. Høyen (date unspecfied) De merkeligste Malerier som findes paa Frederichsborg, p. 120
  • Margareth Toynbee (date unspecfied) A Portrait called "Henry, Prince of Wales" by Daniel Mÿtens, p. 120ff (afb.)
  • Margareth R. Toynbee (date unspecfied) A Further Note on a Portrait called "Henry, Prince of Wales' by Daniel Mytens, p. 21, detaille af skrivebordet afb. planche III fig. D
  • Charlotte Christensen (date unspecfied) From Elsinore to London, p. 112, 115
  • Oliver Millar (date unspecfied) Van Dyck in London, p. 54
  • John Peacock (1994) The Politics of Portraiture, p. 213
Source/Photographer

Licensing

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This is a faithful photographic reproduction of an original two-dimensional work of art. The work of art itself is in the public domain for the following reason:

Public domain

The author died in 1621, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

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In many jurisdictions, faithful reproductions of two-dimensional public domain works of art are not copyrightable. The Wikimedia Foundation's position is that these works are not copyrightable in the United States (see Commons:Reuse of PD-Art photographs). In these jurisdictions, this work is actually in the public domain and the requirements of the digital reproduction's license are not compulsory.

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