File:Hanging scroll, painting (BM 1992,0625,0.1).jpg

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Summary

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hanging scroll, painting   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Title
hanging scroll, painting
Description
English: Painting, hanging scroll. Courtesan regarding herself in hand-mirror. Ink and colour on paper. Signed and sealed. With paulownia storage box. Ivory jikusaki.
Date between 1804 and 1818
date QS:P571,+1850-00-00T00:00:00Z/7,P1319,+1804-00-00T00:00:00Z/9,P1326,+1818-00-00T00:00:00Z/9
Medium paper
Dimensions
Height: 211.50 centimetres (mount)
Height: 124 centimetres
Width: 44.70 centimetres (mount)
Width: 27.40 centimetres
institution QS:P195,Q6373
Current location
Asia
Accession number
1992,0625,0.1
Notes

Asahi 1996

立ち姿の遊女が、右手に持った鏡をのぞき込み、もう片方の手で髪を直している。彼女は紫に白い花を散らした普段着に、型どおりの麻葉文が絞り染めされた青い帯を締めている。鏡の裏には、かすかに桐文が認められる。

春政の初期作品のうち晩器と署名があるのは、寛政後期の歌麿様式に近い錦絵数点である。紹介されている6作品の肉筆画をみる限りでは、晩器春政（那須ロイヤル美術館蔵）、喜多川春政（個人蔵•ドイツ）、恋川春政（楢崎宗重監修『肉筆浮世絵』第6巻　1991年　集英社　挿図10）、春政（東京国立博物館蔵•2点）と、様々な署名が用いられている。これらの作品は享和年間の歌麿の写しから始まって、文化7年頃の歌麿の死後まもなくに制作された本作品のような、わずかに独自性をもった様式へ発展していったことが分かる。筆致は単純で、細く背の高い姿もそれほど洗練されているとはいえず、他の歌麿の弟子（秀麿など、No.51参照）たちにも共通する特徴が見られる。

春政が折々に使用した恋川という号は、戯作者の恋川幸町（二代春町）との師弟関係を思わせる。幸町は初代歌麿の死後、二代喜多川歌麿を名乗ったと考えられている。

（増渕鏡子（福島県立美術館））
Source/Photographer https://www.britishmuseum.org/collection/object/A_1992-0625-0-1
Permission
(Reusing this file)		 © The Trustees of the British Museum, released as CC BY-NC-SA 4.0

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current02:56, 11 May 2020Thumbnail for version as of 02:56, 11 May 2020611 × 1,600 (328 KB)Copyfraud (talk | contribs)British Museum public domain uploads (Copyfraud/BM) Eroticism in the British Museum 1804 #145/1,471

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