File:Hail Mary - II (1892), by Luigi Nono.png

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Luigi Nono: Hail Mary (II)  wikidata:Q111225480 reasonator:Q111225480
Artist
Luigi Nono  (1850–1918)  wikidata:Q3266502
 
Luigi Nono
Description Italian painter
Date of birth/death 8 December 1850 Edit this at Wikidata 17 October 1918 Edit this at Wikidata
Location of birth/death Terminal Fusina Edit this at Wikidata Venice Edit this at Wikidata
Work location
Authority file
artist QS:P170,Q3266502
image of artwork listed in title parameter on this page
Title
Italian:
Ave Maria (II)

Hail Mary (II)
title QS:P1476,it:"Ave Maria (II)"
label QS:Lit,"Ave Maria (II)"
label QS:Len,"Hail Mary (II)"
Object type painting
object_type QS:P31,Q3305213
Description
Hail Mary - II (1892), by Luigi Nono
Date 1892
date QS:P571,+1892-00-00T00:00:00Z/9
Medium oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Dimensions height: 272 cm (107 in); width: 142 cm (55.9 in)
dimensions QS:P2048,272U174728
dimensions QS:P2049,142U174728
institution QS:P195,Q1954273
Accession number
117
Place of creation Chioggia, Kingdom of Italy
Notes
English: In 1892 the Revoltella Museum purchased the work Ave Maria (Hail Mary) by Luigi Nono at the Munich International Exposition, a work particularly loved by the author as he had placed his wife and child there. There is represented a commoner with a child in her arms, praying at the foot of a statue of the Madonna that adorns the balustrade overlooking the Perotolo di Chioggia canal. Nono had treated the same subject ten years earlier in the painting Refugium peccatorum, purchased by the National Gallery of Modern Art in Rome. As in the latter, even in the work exhibited here only the base of the statue is depicted, as if to underline the comparison between the marble Virgin and the carnal mother who "in her monumental prominence has the dignity of a Madonna of the people" (Pavanello ). Since the years of his training - accomplished at the Academy of Fine Arts in Venice, where he befriended the Venetian Favretto - Luigi Nono opted for social realism, permeated by an intimate and reflective vein in particular after a stay in Paris, during which he had known the paintings of Corot and Millet.
References
Source/Photographer deartibus.it
Permission
(Reusing this file)
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

The author died in 1918, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

Licensing

[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

The author died in 1918, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.
Italy-MiBAC-disclaimer Further authorizations required by the Italian "Code of Cultural Heritage and Landscape" (Codice Urbani), under Legislative Decree No. 42, dated January 22, 2004, and its subsequent amendments, regarding the reuse of the picture.
This image reproduces a property belonging to the Italian cultural heritage as entrusted to the Italian government. Such images are regulated by Articles 106 et seq. of the Italian Code of Cultural Heritage and Landscape under Legislative Decree No. 42, dated January 22, 2004, and its subsequent amendments. These regulations, unrelated to copyright regulations, establish a system for the protection of Italy’s historic and artistic heritage and its standards of dignity. Among other things, these regulations provide for the payment of a concession fee by those who intend to benefit economically from reproductions of property belonging to the Italian cultural heritage. Reproduction of this image is permitted for personal use or study. A further authorization by the Italian Ministry of Heritage and Culture is required for reproduction for any other purpose, and particularly for commercial use. Such commercial use includes, but is not limited to, use in (a) any form of advertising, and (b) any company name, logo, trademark, image, activity, or product.
Italy

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Date/TimeThumbnailDimensionsUserComment
current22:03, 13 March 2022Thumbnail for version as of 22:03, 13 March 2022314 × 612 (395 KB)Niketto sr. (talk | contribs)Uploaded a work by Luigi Nono from https://www.deartibus.it/drupal/content/ave-maria-0 with UploadWizard

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