File:Great men and famous women - a series of pen and pencil sketches of the lives of more than 200 of the most prominent personages in history Volume 7 (1894) (14783168315).jpg

Identifier: greatfamous07hornuoft (find matches)
Title: Great men and famous women : a series of pen and pencil sketches of the lives of more than 200 of the most prominent personages in history Volume 7
Year: 1894 (1890s)
Authors: Horne, Charles F. (Charles Francis), 1870-1942
Subjects: Biography
Publisher: New York : Selmar Hess
Contributing Library: Kelly - University of Toronto

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Stood on the • in his wei md, say- home, it \vi - -ijeas- ag of this J- ly of !. I accepted the inv md one feeling as poor Philli nust ■I, after the invitation from ^ - •jK-ning of the door by the qithe shadows of the past, the gieat reception- ■iian in his old age. He rose from his i in his face, his flowing hair as white ■ V his presence, and his gracious dignity iiy. I have here some things that may ^es inkstand ; there is Tom Moores «i, in a reverent tone, is a piece of enclosed in a solid glass, and he proceeded YaUT8 H^OJ4^iOV.OJ.,. poems, he added, in sub-H-uawMTMMfi Hmi . of some of them. You tten upon it the Psalm of Ih.v Ml 11 r I felt . t about wit - 1 / (r. 1 th St. L ,^Life ing to ta-rn ■ -■■■ ■■ compliment thatThe last < words, shows im- nciUl jih and »<.L1JMI.. It On returning from cet. There111. .Vre you Mr.rite the Psalm ofhut would you be will-friend ; it would give■ d I shook hands-, was the best .ed the poets cpiijtograph of hisscu.,
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HENRY WADSWORTH LONGFELLOW 179 He said that the poem I Stood on the Bridge at Midnight was written inthe lonely hours of his widowerhood, when he used to visit Boston evenings andreturn over the bridge of the Charles. The bridge grew still as the night wore on,and the procession of the day became thin. There was a furnace at Brighton atthat time, and the reflection of the red fire fell across the dark river. The bridgeover the Charles is nearly the same now as then; it has been somewhat recon-structed, but the wooden piers are there; the drifting seaweed, the odor of thebrine, and the processions of care-encumbered men vanishing into the night.An English nobleman who is a literary critic has pronounced this poem the mostsympathetic in the language. Its popularity probably is due to the night sceneand the spirit of self-renunciafion. It is one of the most beautiful songs of theage as set to music by two English composers. We never tire of the messageof sympathy. Excelsior, which has be

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