File:Gaston La Touche - La Robe jaune (The Yellow Dress).jpg

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Gaston La Touche: La Robe jaune  wikidata:Q124377666 reasonator:Q124377666
Artist
Gaston La Touche  (1854–1913)  wikidata:Q1824249
 
Gaston La Touche
Alternative names
Gaston La Touche
Description French painter, drawer and sculptor
Date of birth/death 22 October 1854 / 29 October 1854 Edit this at Wikidata 12 July 1913 Edit this at Wikidata
Location of birth/death Saint-Cloud 7th arrondissement of Paris
Work period 1869 Edit this at Wikidata–1913 Edit this at Wikidata
Work location
Authority file
artist QS:P170,Q1824249
image of artwork listed in title parameter on this page
Title
French:
La Robe jaune Edit this at Wikidata

La Robe jaune
title QS:P1476,fr:"La Robe jaune Edit this at Wikidata"
label QS:Lfr,"La Robe jaune Edit this at Wikidata"
label QS:Len,"La Robe jaune"
Object type painting Edit this at Wikidata
Genre self-portrait Edit this at Wikidata
Description
English: The Yellow Dress / La Robe jaune

La Robe jaune is a monumental family portrait of the artist, together with his wife, Jacqueline, their daughter, Solange, peeking out behind her mother’s shoulder, and their son, Phillippe, standing on his mother’s lap. La Touche painted this tender family scene in 1896 in the magnificent garden Jacqueline created at their home in Saint-Cloud, where the painting hung in the drawing room, as seen in a photograph published by The Studio in 1899 (The Studio, 1899, vol. 16, p. 79.).

The painting’s title is taken from Jacqueline’s voluminous fur-trimmed yellow dress, with billowing sleeves and lilac ribbons. Solange rests her head on her mother’s shoulder and the artist, seen at right, leans into the group, balancing the composition. This exuberant celebration of family exemplifies the artist’s extraordinary synthesis of solid compositional structure with flying gestural brushstrokes that enliven the Belle Époque aesthetic for which he was universally praised.

Though not strictly portraits, La Touche had posed his family some years earlier, in Les Philos and Les Pivoines, both painted at Saint-Cloud and shown at the inaugural exhibition of the Societe Nationale de Beaux Arts in 1890, of which he was a founding member, where Les Phlox was purchased by the French state.
Depicted people Gaston La Touche Edit this at Wikidata
Date 1896
date QS:P571,+1896-00-00T00:00:00Z/9
Medium oil on canvas Edit this at Wikidata
Dimensions height: 208.5 cm (82 in) Edit this at Wikidata; width: 143.5 cm (56.4 in) Edit this at Wikidata
dimensions QS:P2048,+208.5U174728
dimensions QS:P2049,+143.5U174728
Object history
  • Saint-Cloud, collection of the artist, 1899 (The Studio, 1899, vol. 16, p. 79.)
  • New York, Private collection
    institution QS:P195,Q768717
  • Auction: New York, Sotheby's, 2 February 2024, 19th Century European Paintings & Sculpture (sale # N11434), lot 866 (La robe jaune)
Exhibition history Paris, Salon, Société nationale des beaux-arts, 1896, no. 771 (as Réunion de portraits) reproduced in Catalogue illustré des ouvrages de peinture, sculpture et gravure exposés au Champ-de-Mars / Exposition nationale des beaux-arts, 1896, p. 143
Inscriptions
  • Signature and date:
G. La. Touche./ 96 Edit this at Wikidata
References
  • Catalogue illustré des ouvrages de peinture, sculpture et gravure exposés au Champ-de-Mars / Exposition nationale des beaux-arts, Paris 1896, p. XIX, no. 771 (as Réunion de portraits).
  • George Lafenestre, "La Peinture aux Salons de 1896," Revue des deux mondes, vol. 135, 1896, p. 925 : "M. Latouche avait débuté par des œuvres plus simples et plus saines ; on retrouve son talent, sincère et ressenti, de dessinateur et de physionomiste ; dans sa Réunion de portraits, une jeune femme, assise dans un parc, avec son mari et ses enfans. Ce jour-là, toutefois, ayant pensé à M. Besnard, M. Latouche adonné à sa figure principale une robe jaune, d’un ton si audacieux et si provocant, que l’éclat intempestif de cette étoile triomphante compromet encore autour d’elle la fraîcheur souriante et la vérité des visages."
  • Gabriel Mourey, "The Work of Gaston La Touche," The Studio, 1899, vol. 16, no. 72, p. 79, illustrated.
  • Selina Baring Maclennan, Gaston La Touche: A Painter of Belle Époque Dreams, 2009, pp. 119-121, illustrated, plate 99, 202.
Source/Photographer Sotheby's

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