File:Garamut Drum Beater, Papua New Guinea, Brücke Museum Berlin, 65040, view a.jpg
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Captions
Captions
Garamut Drum Beater, East Sepik, Papua New Guinea, 19th-20th century, front view
Summary
Object
| Artist |
English: once known creator
Deutsch: einst bekannte*r Urheber*in |
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| Description |
Deutsch: Garamut-Trommelschläger
English: Garamut Drum Beater |
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| Date | from 19th century until 20th century | |||||||||||||||||||||||
| Medium | hard wood (Q15814392) | |||||||||||||||||||||||
| Dimensions | height: 57.2 cm (22.5 in); width: 28 cm (11 in); depth: 11 cm (4.3 in) | |||||||||||||||||||||||
| Collection |
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| Accession number |
H 77 |
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| Place of creation | Murik Lakes (Q109383255), East Sepik Province (Q690880) | |||||||||||||||||||||||
| Object history |
transferred to Karl und Emy Schmidt-Rottluff Stiftung (Q108731834) from Karl Schmidt-Rottluff (Q161143) |
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| Notes |
English: This Beater is carved from a very hard wood because it is used for beating the Garamut Drum. Used during special occasions. (Grace Vele)
Deutsch: Dieser Trommel-Schläger ist aus einem sehr harten Holz geschnitzt, da er zum Schlagen der Garamut-Trommel verwendet wird. Diese wird bei besonderen Anlässen verwendet. (Grace Vele)
Tok Pisin: Olgeta hap lo dispela stik em i kalarim lo blak na tu ol i bin mekim long strongpela diwai lo bush bikos em bai inonap lo bruk na tu em bai stap longpela taim. Despela stik i save paitim garamut lo spesol dai tasol. |
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Photograph
| Description |
English: Garamut Drum Beater, East Sepik, Papua New Guinea, 19th-20th century, front view  |
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| Date | ||||
| Source | BrückeMuseumBerlin | |||
| Author | Nick Ash, Berlin | |||
| Permission (Reusing this file) |
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| Other versions |
The estate of Karl Schmidt-Rottluff, owned by the Karl and Emy Schmidt-Rottluff Foundation at the Brücke Museum, contains his collection of around 100 sculptures and objects with colonial backgrounds. The Brücke artist himself never travelled outside Europe and, to the best of current knowledge, bought these objects in the art trade and from private owners from the 1910s onwards. The collection includes ritual and everyday objects, alongside souvenirs for the Western market. The way they were perceived underwent changes: they came to be seen as objects of art and decoration. Little is known of their origins, the circumstances of their acquisition, or the historical and current importance of the objects. Most of them originate from Germany’s former colonies, thus referring directly to German Expressionists’ entanglements in the often unlawful appropriation of material culture in colonially occupied lands. More
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File history
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| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 14:28, 2 November 2021 | | 6,200 × 8,272 (20.38 MB) | BrückeMuseumBerlin (talk | contribs) | Uploaded own work with UploadWizard |
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