File:French Privateers, cruising in the English Channel (BM 1935,0522.1.25).jpg
Original file (1,163 × 1,600 pixels, file size: 347 KB, MIME type: image/jpeg)
Captions
Summary
[edit]French Privateers, cruising in the English Channel ( ) | ||||||||||||||||||||||||
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Artist |
After: Robert Dighton
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Title |
French Privateers, cruising in the English Channel |
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Description |
English: Six French émigrés are grouped at the roadside beside a signpost (right) pointing (left) to 'London' and (right) to 'Dover'. A lean and elderly woman holding a clipped poodle stands with her left hand in the arm of a man wearing a cocked hat with a tricolour cockade, and a long coat reaching almost to his ankles; he holds a tasselled cane. Next him is a stout man wearing a long cloak, and a boy or dwarfish man. On the right are two women holding large muffs. A second clipped poodle runs beside them. In the background a coach (right) inscribed 'London Dover Canterbury' is driving towards London with outside passengers; one, a sailor, waves his hat. The gable end of a cottage (left) and trees complete the background; republished state. 4 June 1792
Hand-coloured mezzotint |
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Date |
1792 date QS:P571,+1792-00-00T00:00:00Z/9 |
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Medium | paper | |||||||||||||||||||||||
Dimensions |
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Collection |
institution QS:P195,Q6373 |
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Current location |
Prints and Drawings |
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Accession number |
1935,0522.1.25 |
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Notes |
Dighton's original watercolour for this print from the collection of Mr Jeffrey Rose was sold at Sotheby's, 23 February 1978, lot 34. An earlier state was published by Carington Bowles, with the same inscription but 'Carington Bowles' in place of 'Bowles & Carver' (2010,7081.1079) |
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Source/Photographer | https://www.britishmuseum.org/collection/object/P_1935-0522-1-25 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 |
Licensing
[edit]This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag. Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag. |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 04:43, 9 May 2020 | 1,163 × 1,600 (347 KB) | Copyfraud (talk | contribs) | British Museum public domain uploads (Copyfraud/BM) Satirical prints in the British Museum 1792 #1,497/12,043 |
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Orientation | Normal |
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Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Software used | Adobe Photoshop Elements 2.0 |
File change date and time | 10:33, 11 August 2006 |
Color space | Uncalibrated |