File:Francesco Laurana pushkin.jpg
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Captions
Summary
Object
anonymous: A Princess of the House of Naples ( ) | ||||||||||||||||||||||||
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Artist |
artist QS:P170,Q4233718,P1877,Q381224 |
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Title |
A Princess of the House of Naples label QS:Len,"A Princess of the House of Naples"
label QS:Lfr,"Une Princesse de la maison de Naples" |
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Description |
English: Woman by Francesco Laurana (ca. 1472). Cast from original in Berliner museum.
Plaster cast, portrait bust of a woman after marble original. The sitter has been tentatively identified as Ippolita Maria Sforza, the wife of King Alfonso II of Naples, but this theory is not based on any secure evidence. This cast represents one of nine female portrait busts ascribed to Laurana on the basis of their resemblance to a series of documented figures of the Virgin and Child in Sicily. Two of these busts, in the Frick Collection, New York, and in the National Gallery of Art, Washington D.C., are closely related to the portrait in this cast as they appear to represent the same person, and have similar bases decorated with classicizing figures. The sitter has been tentatively identified as Ippolita Maria Sforza, the wife of King Alfonso II of Naples, but this theory is not based on any secure evidence. The lost portrait bust in Berlin had the remains of extensive pigmentation, and the faint incised decoration of the dress, was, on the original, a richly gilded pattern. The hole at the breast may once have been covered by a metal brooch or pendant and the cartouche might have originally contained the sitter's name. The original painted and gilded marble bust was formerly in Berlin, Germany, but was destroyed in 1945. This bust had been digitalized and the digital model is on open license. It is often used for 3d software demonstrations.Français : Reproduction d'après l'original du Bode-Museum de Berlin, détruit en 1945. Il a été identifié, sans en être certain comme le buste de Ippolita Maria Sforza ; la femme du Roi Alfonso II de Naples.
C'est l'un des 9 bustes de femmes attribués à Laurana, en raison de la ressemblance avec une série de portraits documentés de La vierge à l'enfant de Sicile. Deux de ces bustes, dans la collection Frick à New-Yorg, et à la National Gallery of Art de Washington, tous deux aux États-Unis d'Amérique sont proche de ce portrait et ont une base similaire, décorée par des motifs classiques. L'original, de Berlin, comportait encore une part importante de pigments et de fines incisions des décorations de la robe et de riches motifs de dorures. Le trou sur la poitrine pourrait avoir été couvert par une broche métallique ou un pendentif et la cartouche pourrait, à l'origine, comporter le nom du modèle. Ce buste a également été numérisé en trois dimension et sert de référence pour différentes démonstrations logicielles. |
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Date | original 1472 Bode-Museum 1945 lost | |||||||||||||||||||||||
Medium |
reproduction: plaster medium qs:p186,q274988 , original: marblemedium qs:p186,q40861 |
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Collection |
institution QS:P195,Q4872 |
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Permission (Reusing this file) |
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Photograph
Source | Own work |
Author | user:shakko |
Permission (Reusing this file) |
I, the copyright holder of this work, hereby publish it under the following license: This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
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Other versions | Details of original |
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 22:04, 30 January 2009 | 1,070 × 1,068 (766 KB) | Shakko (talk | contribs) | {{Information |Description=Princess of Naples (Eleonor of Aragon? Ipollita Maria Sforza?) by Francesco Laurana. Cast |Source=self |Date=2009 |Author=user:shakko |Permission= |other_versions= }} Category:Francesco Laurana [[Category:Casts in the Pu |
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Camera manufacturer | Canon |
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Camera model | Canon DIGITAL IXUS 75 |
Exposure time | 1/50 sec (0.02) |
F-number | f/4.5 |
ISO speed rating | 800 |
Date and time of data generation | 17:20, 23 January 2009 |
Lens focal length | 14.421 mm |
Orientation | Normal |
Horizontal resolution | 180 dpi |
Vertical resolution | 180 dpi |
File change date and time | 17:20, 23 January 2009 |
Y and C positioning | Centered |
Exif version | 2.2 |
Date and time of digitizing | 17:20, 23 January 2009 |
Image compression mode | 5 |
APEX shutter speed | 5.65625 |
APEX aperture | 4.34375 |
APEX exposure bias | 0 |
Maximum land aperture | 4.34375 APEX (f/4.51) |
Metering mode | Pattern |
Flash | Flash did not fire, compulsory flash suppression |
Color space | sRGB |
Focal plane X resolution | 13,653.333333333 |
Focal plane Y resolution | 13,633.136094675 |
Focal plane resolution unit | inches |
Sensing method | One-chip color area sensor |
Custom image processing | Normal process |
Exposure mode | Auto exposure |
White balance | Auto white balance |
Digital zoom ratio | 1 |
Scene capture type | Standard |
- Female portrait busts by Francesco Laurana
- Renaissance castings of busts in the Pushkin Museum
- Art lost in Germany during World War II
- Destroyed sculptures in Germany
- Ippolita Maria Sforza
- Lost sculptures in Germany
- Portraits of anonymous women of the Italian Renaissance
- Castings of sculptures of the Berlin State Museums in the Pushkin Museum
- 1472 sculptures in Berlin
- 1472 sculptures in Russia
- 15th-century busts in Russia
- 15th-century busts in Germany