File:Frail Liberation at Södertälje konsthall.jpg
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[edit]DescriptionFrail Liberation at Södertälje konsthall.jpg |
English: Sept 3 - Oct 31 2020. Born of unveiled global racism and amid the turmoil of an ongoing pandemic, an exhibition takes its name from Durban-born singer-songwriter Chris Letcher: “Frail Liberation. It makes no more sound than a closing eye.” Nkuli Mlangeni Berg is invited to develop a work that addresses current conditions. Jani Ruscica made the video installation “Batbox/Beatbox” in 2007, yet there is no artwork that can be more current in a reading on our current times and conditions. The first part of the video follows bats, the second part roams the streets of New York as musicians and poets mimic the sound of these animals. Bats, wrapped in saga and superstition, are also known to be the animals most likely to have transferred the Covid-19 virus from the animal kingdom to humans. Rami Khoury´s installation of pots made of clay are open and accessible to anyone that would like to use them. Ingela Johansson, is invited with a prologue to her upcoming exhibition.
Svenska: Skör befrielse/Frail Liberation 3.9-31.10 Södertälje konsthall
Skör befrielse är en utställning som är född ur en avslöjad rasism och en pågående pandemi och som fått sitt namn från en låttext av Durban-födda musikern Chris Letcher, Frail Liberation. It makes no more sound than a closing eye. (Skör befrielse. Skapar inte mer ljud än ett öga som blundar.) Nkuli Mlangeni Berg visar ett verk som bearbetar samtiden i textil. Jani Ruscica gjorde videoinstallationen “Batbox / Beatbox” 2007, men inget konstverk som kan vara mer aktuellt i en läsning av vår samtid. Den första delen av videon följer fladdermöss och den andra delen strövar över gatorna i New York när musiker och poeter efterliknar ljudet från dessa djur. Fladdermöss är också kända för att vara de djur som mest troligt har överfört Covid-19-viruset från djurriket till människor. Rami Khoury visar en installation av lera som bär både konstnärliga och funktionella aspekter är öppen och tillgänglig för alla som vill använda den. Ingela Johansson visar en prolog till sin separatutställning. |
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Source | Own work |
Author | Södertälje konsthall |
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Camera model | Canon EOS 5D Mark IV |
Author | Liza Simonsson |
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ISO speed rating | 640 |
Date and time of data generation | 14:31, 5 October 2020 |
Lens focal length | 16 mm |
Orientation | Normal |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Software used | Adobe Photoshop 21.2 (Macintosh) |
File change date and time | 09:40, 8 October 2020 |
Exposure Program | Aperture priority |
Exif version | 2.3 |
Date and time of digitizing | 14:31, 5 October 2020 |
APEX shutter speed | −2.584963 |
APEX aperture | 8 |
APEX exposure bias | 0 |
Maximum land aperture | 4 APEX (f/4) |
Metering mode | Pattern |
Flash | Flash did not fire, compulsory flash suppression |
DateTimeOriginal subseconds | 47 |
Color space | Uncalibrated |
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Date metadata was last modified | 11:41, 8 October 2020 |
Rating (out of 5) | 5 |
Unique ID of original document | 944FA7F0B8E4122806E2E9C209F9A1BD |
Contact information | liza@lizafoto.com
www.lizafoto.com
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IIM version | 4 |