File:Four Dancers by Edgar Degas (4987904881).jpg
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Captions
Contents
Summary
Object
Edgar Degas: Four dancers
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Object type |
painting ![]() |
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Description |
Four Dancers, c. 1899 by Edgar Degas, oil on canvas Degas studied his preferred subject, ballet performers, in hundreds of works. Four Dancers, one of the largest and most ambitious of his late works, exists in several variants that show different kinds and degrees of modification. While Degas suppressed descriptive detail elsewhere in the painting, emphatic dark lines shape the heads and arms, underlining the artist's formal concerns. Theatrical lighting over the off-stage performers recolors the figures and creates a simple color scheme of complementary red-orange and green hues. Two of the figures repeat poses of a model who appears in a unique set of three photographic negatives. Photographed between about 1895 and 1898, the original plates solarized into colors that resemble, in reverse, the oranges and greens in Four Dancers. Degas owned the photographic plates and may even have shot the pictures. The same model, hair piled on her head and features indistinct or hidden, posed for all three photographs, and the four dancers in the painting resemble her. The arrangement of the four dancers may also have been influenced by Eadward Muybridge's sequential photographs, particularly his 1887 book, Animal Locomotion. Their poses, a succession of preparatory gestures, depict a progression of intricate movements. As Degas' eyesight worsened, the artist increasingly preferred pastels to oil paints. In Four Dancers, Degas used oils to imitate the color effects and matte surface of pastels. National Gallery of Art, Washington, D. C., online collection Dancers, c. 1899 by Edgar Degas, oil on canvas Degas studied his preferred subject, ballet performers, in hundreds of works. Four Dancers, one of the largest and most ambitious of his late works, exists in several variants that show different kinds and degrees of modification. While Degas suppressed descriptive detail elsewhere in the painting, emphatic dark lines shape the heads and arms, underlining the artist's formal concerns. Theatrical lighting over the off-stage performers recolors the figures and creates a simple color scheme of complementary red-orange and green hues. Two of the figures repeat poses of a model who appears in a unique set of three photographic negatives. Photographed between about 1895 and 1898, the original plates solarized into colors that resemble, in reverse, the oranges and greens in Four Dancers. Degas owned the photographic plates and may even have shot the pictures. The same model, hair piled on her head and features indistinct or hidden, posed for all three photographs, and the four dancers in the painting resemble her. The arrangement of the four dancers may also have been influenced by Eadward Muybridge's sequential photographs, particularly his 1887 book, Animal Locomotion. Their poses, a succession of preparatory gestures, depict a progression of intricate movements. As Degas' eyesight worsened, the artist increasingly preferred pastels to oil paints. In Four Dancers, Degas used oils to imitate the color effects and matte surface of pastels. National Gallery of Art, Washington, D. C., online collection |
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Date |
circa ![]() |
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Medium |
oil on canvas ![]() |
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Dimensions |
height: 151.1 cm (59.4 in) ![]() ![]() dimensions QS:P2048,+151.1U174728 dimensions QS:P2049,+180.2U174728 |
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Collection |
institution QS:P195,Q214867 |
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Accession number |
1963.10.122 (National Gallery of Art) ![]() |
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References |
Photograph
Date | |
Source | Four Dancers by Edgar Degas |
Author | Cliff from Arlington, Virginia, USA |
Licensing
![w:en:Creative Commons](https://upload.wikimedia.org/wikipedia/commons/thumb/7/79/CC_some_rights_reserved.svg/90px-CC_some_rights_reserved.svg.png)
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- You are free:
- to share – to copy, distribute and transmit the work
- to remix – to adapt the work
- Under the following conditions:
- attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
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This image was originally posted to Flickr by cliff1066™ at https://www.flickr.com/photos/28567825@N03/4987904881. It was reviewed on 13 June 2015 by FlickreviewR and was confirmed to be licensed under the terms of the cc-by-2.0. |
13 June 2015
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 12:16, 13 June 2015 | ![]() | 2,670 × 2,133 (1.47 MB) | GautierPoupeau (talk | contribs) | Transferred from Flickr via Flickr2Commons |
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Camera manufacturer | Canon |
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Camera model | Canon EOS 30D |
Exposure time | 1/6 sec (0.16666666666667) |
F-number | f/3.5 |
ISO speed rating | 400 |
Date and time of data generation | 04:05, 5 September 2010 |
Lens focal length | 28 mm |
Orientation | Normal |
Horizontal resolution | 72 dpi |
Vertical resolution | 72 dpi |
Software used | ACD Systems Digital Imaging |
File change date and time | 00:42, 13 September 2010 |
Y and C positioning | Centered |
Exposure Program | Not defined |
Exif version | 2.21 |
Date and time of digitizing | 04:05, 5 September 2010 |
Meaning of each component |
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APEX shutter speed | 2.5849609375 |
APEX aperture | 3.6147155761719 |
APEX exposure bias | 0 |
Metering mode | Pattern |
Flash | Flash did not fire, compulsory flash suppression |
DateTime subseconds | 755 |
Supported Flashpix version | 1 |
Color space | sRGB |
Focal plane X resolution | 3,959.3220338983 |
Focal plane Y resolution | 3,959.3220338983 |
Focal plane resolution unit | inches |
Custom image processing | Normal process |
Exposure mode | Auto exposure |
White balance | Auto white balance |
Scene capture type | Standard |
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- CC-BY-2.0
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- Photographs by Carl Clifford