File:Florence in poetry, history and art (1913) (14576852208).jpg

From Wikimedia Commons, the free media repository
Jump to navigation Jump to search

Original file(1,636 × 2,298 pixels, file size: 519 KB, MIME type: image/jpeg)

Captions

Captions

Add a one-line explanation of what this file represents

Summary

[edit]
Description
English:

Identifier: florenceinpoetry00ryan (find matches)
Title: Florence in poetry, history and art
Year: 1913 (1910s)
Authors: Ryan, Sara Agnes
Subjects:
Publisher: Chicago, Mayer and Miller Co.
Contributing Library: Robarts - University of Toronto
Digitizing Sponsor: University of Toronto

View Book Page: Book Viewer
About This Book: Catalog Entry
View All Images: All Images From Book
Click here to view book online to see this illustration in context in a browseable online version of this book.

Text Appearing Before Image:
rit shine; It was as if before me roseThe white veil of a shrine. 243 Florence. As if, as Gothlands sage has told,The hidden life, the man within, Discovered from its frame and mould,By mortal eye were seen. Was it the lifting of that eye, The waving of that pictured hand ? Loose as a cloud-wreath on the sky,I saw the walls expand! The narrow room had vanished,—space,Broad, luminous, remained alone, Through which all hues and shapes of graceAnd beauty looked or shone. Around the mighty master came The marvels which his pencil wrought, Those miracles of power whose fameIs wide as human thought. There drooped thy more than mortal face,0 mother, beautiful and mild, Enfolding in one dear embraceThy Savior and thy child! The rapt brow of the Desert John; The awful glory of that dayWhen all the Fathers brightness shone Through manhoods veil of clay. And, midst gray prophet forms, and wild,Dark visions of the days of old, How sweetly womans beauty smiledThrough locks of brown and gold! 244
Text Appearing After Image:
Raphael Painting the Madonna Wittmer Illustrating how Raphael, in lieu of the proper materials, drew the lovelypeasant and her child whom he met aecidently, on the end of a wine cask, inework is now known as The Madonna of the Chair. Raphael. There Fomarinas fair young faceOnce more upon her lover shone, Whose model of an angels graceHe borrowed from her own. Slow passed that vision from my view,But not the lesson which it taught; The soft, calm shadows which it threwStill rested on my thought: The truth, that painter, bard, and sage,E en in earths cold and changeful clime, Plant for their deathless heritageThe fruits and flowers of time. We shape ourselves the joy or fearOf which the coming life is made, And fill our futures atmosphereWith sunshine or with shade. The tissue of the Life to be We weave with colors all our own, And in the field of DestinyWe reap as we have sown. Still shall the soul around it callThe shadows which it gathered here, And, painted on the eternal wall,The P

Note About Images

Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.
Date
Source

https://www.flickr.com/photos/internetarchivebookimages/14576852208/

Author Internet Archive Book Images
Permission
(Reusing this file)
At the time of upload, the image license was automatically confirmed using the Flickr API. For more information see Flickr API detail.
Flickr tags
InfoField
  • bookid:florenceinpoetry00ryan
  • bookyear:1913
  • bookdecade:1910
  • bookcentury:1900
  • bookauthor:Ryan__Sara_Agnes
  • bookpublisher:Chicago__Mayer_and_Miller_Co_
  • bookcontributor:Robarts___University_of_Toronto
  • booksponsor:University_of_Toronto
  • bookleafnumber:354
  • bookcollection:robarts
  • bookcollection:toronto
Flickr posted date
InfoField
28 July 2014


Licensing

[edit]
This image was taken from Flickr's The Commons. The uploading organization may have various reasons for determining that no known copyright restrictions exist, such as:
  1. The copyright is in the public domain because it has expired;
  2. The copyright was injected into the public domain for other reasons, such as failure to adhere to required formalities or conditions;
  3. The institution owns the copyright but is not interested in exercising control; or
  4. The institution has legal rights sufficient to authorize others to use the work without restrictions.

More information can be found at https://flickr.com/commons/usage/.


Please add additional copyright tags to this image if more specific information about copyright status can be determined. See Commons:Licensing for more information.
This image was originally posted to Flickr by Internet Archive Book Images at https://flickr.com/photos/126377022@N07/14576852208. It was reviewed on 27 October 2015 by FlickreviewR and was confirmed to be licensed under the terms of the No known copyright restrictions.

27 October 2015

File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeThumbnailDimensionsUserComment
current19:53, 27 October 2015Thumbnail for version as of 19:53, 27 October 20151,636 × 2,298 (519 KB) (talk | contribs)== {{int:filedesc}} == {{information |description={{en|1=<br> '''Identifier''': florenceinpoetry00ryan ([https://commons.wikimedia.org/w/index.php?title=Special%3ASearch&profile=default&fulltext=Search&search=insource%3A%2Fflorenceinpoetry00ryan%2F fin...

There are no pages that use this file.