File:Fényes Adolf - Napszámos (1900 körül).jpg
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Summary
[edit]Artist |
artist QS:P170,Q833433 |
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Object type |
painting object_type QS:P31,Q3305213 |
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Description |
English: Day Laborer (c. 1900)
oil on canvas, 100 x 80 cm, Hungarian National Gallery, BudapestMagyar: Napszámos (1900 körül)
olaj, vászon, 100 x 80 cm, Magyar Nemzeti Galéria, Budapest |
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Date | 12 January 2017 | ||||||||||||||||||||
Source/Photographer | https://www.flickr.com/photos/32357038@N08/6516802869/ |
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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
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This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
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JPEG file comment | FÉNYES Adolf
(1867, Kecskemét - 1945, Budapest) Napszámos 1900 körül Olaj, vászon, 100 x 80 cm Magyar Nemzeti Galéria, Budapest Fényes a századforduló német mûvészetében elterjedt "Arme Leute Malerei" hatására 1898-tól festette mintegy hatvan képbõl álló sorozatát, melynek a "Szegény ember élete" címet adta. Megfáradt, gondterhelt embereket, öregeket, özvegyeket, gyermekét védõn magához szorító anyát ábrázolt többnyire borongós színvilágú képein. Ennek a sorozatnak egyik korai, jellegzetes alkotása az álló Napszámos is. Fényes a mezítlábas emberalakjába, tartásába, tekintetébe egy egész életformát tudott belesûríteni, noha alig jelezte a környezetet. A barnás tónusok, a szélesen festett foltok kontrasztjaiban és emberábrázolásában még Munkácsy hatása érezhetõ. Fényes mélységes emberi együttérzésének mûvészi megnyilvánulása a "Szegény ember élete" ciklus, melyrõl így vallott: "Elsõsorban nem mint mûvész festettem a képeket, hanem mint ember. A szociális szempont mélyebben érdekelt a mûvészinél. Arra gondoltam, hogy ha a tárlatok szépen élõ, gondtalan látogatói elé tárom ezt a szomorú világot, talán sokak lelkiismeretét felrázom". Fényes témaválasztása a kortárs hazai mûvészetben nem egyedülálló. Vaszary, Glatz, Kernstok, Zemplényi figyelme is a szegény nép felé fordult a századforduló éveiben. Fényes Napszámosa és Vaszary Szolgalegénye sok rokon vonást mutat. FÉNYES, Adolf (1867, Kecskemét - 1945, Budapest) Day Labourer c. 1900 Oil on canvas, 100 x 80 cm Hungarian National Gallery, Budapest Fényes painted "The Life of a Poor Man", a series of about 60 pictures, on the influence of "Arme Leute Malerei", a trend in German art at the turn of the century. He portrayed exhausted, worried and old people, widows and mothers embracing their children protectively, in pictures of gloomy colours. A typical early composition of this series is "Day Labourer". Fényes managed to condense a life-style into the posture and eyes of the barefooted man although he did not depict his surroundings. Shades of brown, contrasts of widely painted patches and character portrayal remind us of Munkácsy's influence. The series is a manifestation of Fényes' deep sympathy for art. "I did not paint my pictures as an artist, but as a man. I was more involved in social aspects than artistic ones. I thought that I could perhaps stir up well-to-do people visiting art galleries if I laid facts before them ...", he said. His choice of subject matter was not unique in contemporary Hungarian art. At the turn of the sectury, Vaszary, Glatz, Kernstok and Zemplényi were also interested in poor people. Fényes' "Day Labourer" and Vaszary's "Manservant" have much in common. Type: other Time-line: 1901-1925 Form: painting |
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Horizontal resolution | 1 dpc |
Vertical resolution | 1 dpc |
Software used | picnik.com |
Y and C positioning | Centered |