File:Eugen Bracht - Friederburg zu Manderscheid.jpg

Identifier: internationalstu38newy (find matches)
Title: International studio
Year: 1897 (1890s)
Authors:
Subjects: Art Decoration and ornament
Publisher: New York
Contributing Library: Robarts - University of Toronto
Digitizing Sponsor: University of Toronto

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display of supreme understanding of the subtlestrefinements of his craft. Schulte im Hofe, Vogel,Kiesel, Pape, Bennewitz von Lofen and ElsePreussner (who is rather reminiscent of Whistler)are also noteworthy, and Fenner-Behmer remainsthe successful interpreter of female elegance 2iW^chic. We can sincerely welcome some landscapes of renowned masters like Bracht, Bohrdt, K. Lessing,Hamacher, Langhammer and of younger favouriteslike Hartig, Licht and Wendel. R. Eschke isvisibly rising, and some pupils of the KallmorgenSchool, like Kocke, Tiircke and Wildhagen, arrestattention by individual notes, the two formerespecially, by careful draughtsmanship. Genre paintings testify to the diversity in thisdomain. The president of the Academy, Pro-fessor Arthur Kampf, is again the vigorousdramatist with a scene from Bajazzos family-life.He works out his point by a subtle gradation oftone, which becomes strongest where the catastropheis pending. His climax, however, is evolved with 231 studio- Talk
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FRIEDERBIIRG ZU MANDERSCHEID (Grosse Berliner Kunst-Ausstellung) BY PROF. EUGEN BRACHT such colouristic distinction that the sensationalistis sunk in the artist. Skarbina is at homeamong rococo witcheries, Mohrbutter and Pfuhlepenetrate into the mysteries of psychic events, andStroher understands how to spirituaUse the femalenude. Osmar Schindler, whose Mocking of Christis the best religious contribution of the exhibition,is a sure reader of interesting male characters, andC. Messerschmidt betrays astonishing talent as thedepicter of a jolly Biedermeier picnic. There arenot wanting new achievements from the giftedhand of Herbert Arnold, who has this time drawnin.spiration from the Schwalm, that queer peasantconclave in Hessen. Hughitt Halliday dwells withthe muses, and her vision is original but ratherearthly. Marie Kickhof-Reitzenstein envelopswomen of the A man-J can style in a Leonardesqueatmosphere, and Ludmilla von Flesch-Brunningenlavishes pictorial distinction on the subject of

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