File:Entry of Christ into Jerusalem by Pieter Coecke van Aelst Bonnefantenmuseum 1246.jpg
Original file (4,140 × 6,602 pixels, file size: 8.95 MB, MIME type: image/jpeg)
Captions
Summary
[edit]Entry of Christ into Jerusalem | |||||||||||||||||||||||||
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Artist |
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Title | |||||||||||||||||||||||||
Object type | painting | ||||||||||||||||||||||||
Genre | religious art | ||||||||||||||||||||||||
Description |
The triumphal entry of Christ into Jerusalem. Two-sided painting, that used to be a shutter of a large Passion retable, now dismantled. Other panels from this retable are now in Trier, Berlin, Cape Town and Lisbon. On the reverse is a painting of Saint Trudo, which links the retable to Sint-Truiden Abbey. |
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Date |
Circa 1530 date QS:P571,+1530-00-00T00:00:00Z/9,P1480,Q5727902 |
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Medium |
oil on panel medium QS:P186,Q296955;P186,Q106857709,P518,Q861259 |
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Dimensions |
height: 102 cm (40.1 in); width: 64.5 cm (25.3 in) dimensions QS:P2048,102U174728 dimensions QS:P2049,64.5U174728 |
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Collection |
institution QS:P195,Q892727 |
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Accession number |
1246 |
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Place of creation | Antwerp (?) | ||||||||||||||||||||||||
Object history |
circa 1530 date QS:P,+1530-00-00T00:00:00Z/9,P1480,Q5727902 : commissioned by Sint-Truiden Abbey, Sint-Truiden7 December 1935: anonymous sale at Moos, Geneva (auction house), lot no. 51 (as Bernard van Orley) December 1935: acquired by Leger (art dealer), London 1938: acquired by J.P. Heukenfelt Janssen (art dealer), Amsterdam date QS:P,+1530-00-00T00:00:00Z/9,P1480,Q5727902 ) |
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Credit line | Purchased by the Bonnefantenmuseum with an interest-free loan issued by the Vereniging Rembrandt | ||||||||||||||||||||||||
References |
J.J.M. Timmers (1958-1959) ‘Verslag van de directeur van het Bonnefantenmuseum over 1959’, Publications de la société historique et archéologique dans le Limbourg, vol. XCIV-XCV, p. 107-120, p. 115, with image in black and white facing p. 112, as Anonymous (Southern Netherlands)Unknown author circa 1530 date QS:P,+1530-00-00T00:00:00Z/9,P1480,Q5727902 , Intocht van Christus in Jeruzalem, height: 102 cm (40.1 in); width: 64.5 cm (25.3 in)dimensions QS:P2048,102U174728 dimensions QS:P2049,64.5U174728 . ‘Dit paneel, dat in zeer gave toestand verkeert, vertoont de kenmerken van het onder de eerste Italiaanse invloeden staande Zuidnederlands maniërisme. Door wijlen Dr. M. J. Friedländer werd het toegeschreven aan Pieter Coecke van Aelst. Ons wil het voorkomen dat de oorsprong veeleer gezocht dient te worden in de kring van de Luikenaar Lambert Lombard, waarbij een vergelijking met de panelen van het altaar der St.-Denis zich opdringt (Luik, kerk van St.-Denis, ibid., Museum). Wellicht kan de thans overschilderde achterkant van het door ons verworven paneel t.z.t. dit probleem oplossen. Daar kan men thans reeds vaag de figuur van een H. monnik onderscheiden met een kerkmodel in de hand. Is dit laatste te identificeren, dan wordt het wellicht mogelijk de herkomst van het paneel vast te stellen’.
RKDimages, Art-work number 28198, as Workshop of Pieter Coecke van Aelst, De intocht van Christus in Jeruzalem (op de buitenzijde: de H. Trudo), circa 1530date QS:P,+1530-00-00T00:00:00Z/9,P1480,Q5727902 (1525-1535), height: 102 cm (40.1 in); width: 64.5 cm (25.3 in)dimensions QS:P2048,102U174728 dimensions QS:P2049,64.5U174728
RKDimages, Art-work number 256351, as Workshop of Pieter Coecke van Aelst, The entry into Jerusalem (inside); St. Trudo (outside), circa 1530date QS:P,+1530-00-00T00:00:00Z/9,P1480,Q5727902 (1525-1535), height: 102 cm (40.1 in); width: 64.5 cm (25.3 in)dimensions QS:P2048,102U174728 dimensions QS:P2049,64.5U174728 |
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Source/Photographer | artsandculture.google.com : Home : Info | ||||||||||||||||||||||||
Permission (Reusing this file) |
Public domain | ||||||||||||||||||||||||
Other versions |
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Licensing
[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 03:07, 6 March 2015 | 4,140 × 6,602 (8.95 MB) | Crisco 1492 (talk | contribs) | User created page with UploadWizard |
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File usage on Commons
The following 9 pages use this file:
- Paintings by Pieter Coecke van Aelst
- Paintings in the Bonnefantenmuseum
- Pieter Coecke van Aelst
- User:Henxter/Vlaamse pracht uit de 16e en 17e eeuw
- User:Josve05a/Possible DRs/2015 March
- File:Entry into Jerusalem - Pieter Coecke van Aelst - Google Cultural Institute.jpg (file redirect)
- File:Entry of Christ into Jerusalem by Pieter Coecke van Aelst Bonnefantenmuseum 1246.jpg
- File:Pieter Coecke van Aelst, Entrata a Gerusalemme, 1530-35 ca. 01.jpg
- File:Pieter Coecke van Aelst - Intocht in Jeruzalem.jpg
File usage on other wikis
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- Usage on et.wikiquote.org
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Width | 5,565 px |
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Height | 9,925 px |
Bits per component |
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Pixel composition | RGB |
Orientation | Normal |
Number of components | 3 |
Horizontal resolution | 72 dpi |
Vertical resolution | 72 dpi |
Software used | Adobe Photoshop CC (Windows) |
File change date and time | 09:08, 6 March 2015 |
Exif version | 2.21 |
Color space | Uncalibrated |
Unique ID of original document | 7BB9BFFF7507159669347FCD74469635 |
Date and time of digitizing | 15:45, 6 March 2015 |
Date metadata was last modified | 16:08, 6 March 2015 |
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