File:Entracte Hobbs Neustetter performance detail 9 May 2010 Dakar (4).JPG
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Summary
[edit]DescriptionEntracte Hobbs Neustetter performance detail 9 May 2010 Dakar (4).JPG |
English: Performance by The Trinity Session, Afropixel Festival organized by Kër Thiossane as an off event of the Dakar Biennale 2010 |
Date | |
Source | The Trinity Session |
Author | The Trinity Session |
The Trinity Session: ENTRACTE – a post performance film by Hobbs/Neustetter ( ) | ||||||||||||||
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Artist |
artist QS:P170,Q3998894 |
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Title |
ENTRACTE – a post performance film by Hobbs/Neustetter |
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Description |
Located in Zone A, Sicap, Maison 46 - standing for 10 years, is destined for demolition to make way for a new development. In collaboration with students from the Ecole de Beaux Arts in Dakar, a series of projection and performance scenes were developed as a reflection on the pathetic state of this building and the expectations of a new architecture to come. Hobbs/Neustetter's extended practice in South Africa as consultants to public art and urban design regeneration initiatives has heightened their awareness, on other related projects in Africa, to the unique and particular conditions surrounding contingent innovation in local architecture and spatial practices. As a performance, Entracte responds to the unusual circumstances where the predictable restrictions placed by western building standards; public health and safety and user regulations, for example, is bi-passed by virtue of the experimental and opportunistic characteristics of perhaps less regulated urban situations. In this sense Entracte or intermission, takes advantage of the gap in the narrative of urban planning and reflects on the potential of the creative city in Africa. |
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Date | 2010 | |||||||||||||
Medium | Photographic stills, video and lazer projections included Aurora Sound Recordings by James Webb (SA) and selected tracks from Joao Orecchia's (SA) 2009 release Hands and Feet. | |||||||||||||
Current location |
Zone A, Sicap, Maison 46, Dakar, Senegal |
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Exhibition history | Presented during Afropixel 2010, off event of the Dakar Biennale 2010. | |||||||||||||
Notes | public artwork. | |||||||||||||
Source/Photographer | The Trinity Session / Courtesy Afropixel 2010 Kër Thiossane. | |||||||||||||
Permission (Reusing this file) |
This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
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Attribution (required by the license) InfoField | The Trinity Session, ENTRACTE – a post performance film by Hobbs/Neustetter, Dakar, 2010. Photographic stills, video and lazer projections included Aurora Sound Recordings by James Webb (SA) and selected tracks from Joao Orecchia's (SA) 2009 release Hands and Feet. Produced for Afropixel 2010 by Kër Thiossane / Photo by [please refer to Author above] / Wikimedia Commons / | |||||||||||||
InfoField | The Trinity Session, ENTRACTE – a post performance film by Hobbs/Neustetter, Dakar, 2010. Photographic stills, video and lazer projections included Aurora Sound Recordings by James Webb (SA) and selected tracks from Joao Orecchia's (SA) 2009 release Hands and Feet. Produced for Afropixel 2010 by Kër Thiossane / Photo by [please refer to Author above] / Wikimedia Commons | |||||||||||||
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 08:08, 21 December 2013 | 1,778 × 1,181 (1.11 MB) | Iopensa (talk | contribs) | User created page with UploadWizard |
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- File:Entracte Hobbs Neustetter performance detail 9 May 2010 Dakar (10).jpg
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- File:Entracte Hobbs Neustetter performance detail 9 May 2010 Dakar (5).JPG
- File:Entracte Hobbs Neustetter performance detail 9 May 2010 Dakar (7).jpg
- File:Entracte Hobbs Neustetter performance detail 9 May 2010 Dakar (9).jpg
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Camera manufacturer | NIKON CORPORATION |
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Camera model | NIKON D90 |
Exposure time | 2/1 sec (2) |
F-number | f/5.6 |
ISO speed rating | 1,600 |
Date and time of data generation | 22:21, 4 May 2010 |
Lens focal length | 20 mm |
Orientation | Normal |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Software used | Adobe Photoshop CS3 Windows |
File change date and time | 12:36, 16 May 2010 |
Y and C positioning | Co-sited |
Exposure Program | Aperture priority |
Exif version | 2.21 |
Date and time of digitizing | 22:21, 4 May 2010 |
Meaning of each component |
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Image compression mode | 4 |
APEX exposure bias | 0 |
Maximum land aperture | 5 APEX (f/5.66) |
Metering mode | Pattern |
Light source | Shade |
Flash | Flash did not fire |
DateTime subseconds | 00 |
DateTimeOriginal subseconds | 00 |
DateTimeDigitized subseconds | 00 |
Supported Flashpix version | 1 |
Color space | sRGB |
Sensing method | One-chip color area sensor |
File source | Digital still camera |
Scene type | A directly photographed image |
Custom image processing | Normal process |
Exposure mode | Auto exposure |
White balance | Manual white balance |
Digital zoom ratio | 1 |
Focal length in 35 mm film | 30 mm |
Scene capture type | Standard |
Scene control | High gain up |
Contrast | Normal |
Saturation | Normal |
Sharpness | Normal |
Subject distance range | Unknown |
GPS tag version | 2.2.0.0 |
Supported Flashpix version | 1 |
Image width | 1,778 px |
Image height | 1,181 px |
Date metadata was last modified | 14:36, 16 May 2010 |
IIM version | 24,266 |