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File:El agarrotado - (estampe) (2e édition) (État définitif) - Goya - btv1b8451663b.jpg

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El agarrotado : estampe (2e édition, État définitif) / Goya

Alternative title: Le garroté Alternative title: The garroted man

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Author
Goya, Francisco de (1746-1828). Graveur
Title

El agarrotado : estampe (2e édition, État définitif) / Goya Alternative title:
Le garroté

Alternative title:
The garroted man
Description
Français : Sujet : Prisonniers

Figures -- 1701-1788 Référence bibliographique : Delteil, 21 Référence bibliographique : Harris, 21.III.2 Langue : sans contenu linguistique

Éditeur : [s.n.]
Date 1830
date QS:P571,+1830-00-00T00:00:00Z/9
Dimensions height: 21 cm (8.2 in); width: 33 cm (12.9 in)
dimensions QS:P2048,21U174728
dimensions QS:P2049,33U174728
institution QS:P195,Q193563
References
Français : Notice de recueil : https://catalogue.bnf.fr/ark:/12148/cb403430236

Appartient à : [Recueil. Oeuvre de Francesco de Goya. Oeuvre de Réserve] ; 15

Notice du catalogue : https://catalogue.bnf.fr/ark:/12148/cb421786615
Source/Photographer
Français : Bibliothèque nationale de France, RESERVE BF-4 (J,2)-BOITE FOL
Bibliothèque nationale de France

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Public domain
This work is in the public domain in France for one of the following reasons:
  • Its author (or the last of its authors in the case of a collaboration work) died more than 70 years ago (CPI art. L123-1) and did not benefit from any copyright extension (CPI art. L123-8, L123-9 and L123-10)[1];
  • It is an anonymous or pseudonymous work (the identity of the author has never been disclosed) or a collective work[2] and more than 70 years have passed since its publication (CPI art. L123-3);
  • It is the recording of an audiovisual or musical work already in the public domain, and more than 50 years have passed since the performance or the recording (CPI art. L211-4).
Please note that moral rights still apply when the work is in the public domain. They encompass, among others, the right to the respect of the author's name, quality and work (CPI art. L121-1). Attribution therefore remains mandatory.
  1. ↑ Copyright extensions must be considered only in the case of musical works and of authors Mort pour la France (died during conflict, in the service of France). In other cases, they are included in the 70 years post mortem auctoris length (see this statement of the Cour de Cassation).
  2. ↑ The collective work status is quite restrictive, please make sure that it is actually established.

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Public domain

The author died in 1828, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1930.

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Public domain
This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1930.
Public domain works must be out of copyright in both the United States and in the source country of the work in order to be hosted on the Commons. If the work is not a U.S. work, the file must have an additional copyright tag indicating the copyright status in the source country.
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